You might ask at the drama bookshop - they used to be terrific an knowing these sort of things. (Can't speak to now and new management, etc.)
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Dramatists acquired the rights and currently they are in the process of making that available eventually. Currently the manuscript and an acting edition are not available. That’s not related to a published edition from TCG, if that happens.
Is there any reason why it's taking so long to publish?
Usually the prize is awarded in April (this year in June), and the play is published around the Fall/Winter time.
In a few months, the next year's Pulitzer will be awarded without the last year's winner being published.
Like I wrote before, I've never seen that happen.
It's strange that access to the written play is so limited for now. You'd think that a Pulitzer Prize winning play would be more available more than 6 months after it was awarded, or at least a publication date set.
I'm going to guess that like everything else in the world right now, its simply met with covid delays - nothing happens at rhe same speed we were accustomed to.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Is there any reason why it's taking so long to publish?
Usually the prize is awarded in April (this year in June), and the play is published around the Fall/Winter time.
In a few months, the next year's Pulitzer will be awarded without the last year's winner being published.
Like I wrote before, I've never seen that happen.
It's strange that access to the written play is so limited for now. You'd think that a Pulitzer Prize winning play would be more available more than 6 months after it was awarded, or at least a publication date set."
Maybe RELAX dude? A LOT of things that we've "never seen happening" are happening now. Offices have been closed for over a year. People have priorities -- and maybe getting you your copy of a play script is not #1 of most peoples' list of top priorities?
It's been a year, and there still doesn't seem to be news when/if this 2021 Pulitzer Prize winning script is being published.
I see that there were productions of it in 2022, and also some coming up this year, so the script seems to be available, but only for those producing a production of it.
Unless there's some legal issues with publishing it, it seems utterly bizarre that a Pulitzer Prize winning play would take so long to be published.
"Fat Ham", the 2022 winner, is even being published in March of this year!
There must be something more to this than meets the eye.
The script isn't available for sale because Katori Hall is still holding out for a Broadway production and therefore will not release the rights to regional theatres. I don't think the show has a realistic chance of going to Broadway but Ms. Hall didn't ask for my opinion.
"It does what a musical is supposed to do; it takes you to another world. And it gives you a little tune to carry in your head. Something to take you away from the dreary horrors of the real world. A little something for when you're feeling blue. You know?"
BroadwayBaby6 said: “I don't think the show has a realistic chance of going to Broadway but Ms. Hall didn't ask for my opinion.”
Is it likely to recoup a commercial investment on Broadway? Probably not. But I don’t think it’s fair to say that GETTING to Broadway is unrealistic. These past couple seasons have shown us that investors are still willing to take risk on plays with no stars or recognizable IP. And that’s not even counting the non-profit Broadway houses - seems like Hot Wing King would be a great fit for MTC or Second Stage.
So…they actually have the hard copy of the script. They sold it at the National for £15.
As for the play, I thought it was a very well done production and played out like a good Netflix sitcom (I could see this being easily divided into five or six half hour episodes).
My biggest issue was that I felt like it could’ve been split into three acts instead of two. Act I really had a natural moment that is perfect to place an intermission, but then it went on for another 20 minutes into other subplots before another major moment - then intermission.
It’s also a distinctly American play, so there is going to be some loss in translation and that may cause some of the lesser reviews. The audience the night I went had, no lie, two black people out of an almost full house.
The cast was uniformly excellent! I don’t have a bad word to say about any of them and they truly work as an ensemble. For those itching to see it, while the release date is unknown, they do have plans to film it for NT @ HOME in late August.