"The Post reports that the London production’s director, Tony Award winner Jack O’Brien, and choreographer, Tony winner Jerry Mitchell, may depart the project to focus on their other Broadway-bound show, CATCH ME IF YOU CAN; however, no official announcement about such a change has been made."
Hal Prince, no. Rob Marshall, maybe.
"When the audience comes in, it changes the temperature of what you've written." -Stephen Sondheim
Except that Hal Prince was/is the director responsible for the two best shows Lloyd-Webber ever wrote.
Cheyenne Jackson tickled me. AFTER ordering SoMMS a drink but NOT tickling him, and hanging out with Girly in his dressing room (where he DIDN'T tickle her) but BEFORE we got married. To others. And then he tweeted Boobs. He also tweeted he's good friends with some chick on "The Voice" who just happens to be good friends with Tink's ex. And I'm still married. Oh, and this just in: "Pettiness, spite, malice ....Such ugly emotions... So sad." - After Eight, talking about MEEEEEEEE!!! I'm so honored! :-)
Never said he would or should. Just pointing out that his work on PHANTOM and EVITA went a long way towards making those shows the best of the Lloyd-Webber lot.
Cheyenne Jackson tickled me. AFTER ordering SoMMS a drink but NOT tickling him, and hanging out with Girly in his dressing room (where he DIDN'T tickle her) but BEFORE we got married. To others. And then he tweeted Boobs. He also tweeted he's good friends with some chick on "The Voice" who just happens to be good friends with Tink's ex. And I'm still married. Oh, and this just in: "Pettiness, spite, malice ....Such ugly emotions... So sad." - After Eight, talking about MEEEEEEEE!!! I'm so honored! :-)
Prince would never lay a finger on this fast-sinking ship. The show is a tank and a half. Let the love die in London before it occupies a theatre in NY that could go to a more deserving show.
Something told me that we would never see this show on Broadway...
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
Oh, it'll come to Broadway...Mr. Webber's ego simply wouldn't have it otherwise.
Paging Francesca Zambello...
"Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.”
~ Muhammad Ali
If I were ALW, I'd put this away for 10 years and get it out when the memories were fading and people might be getting more curious about the "lost ALW".
Prince needs to sort out his own mess of a show which has opened to pans here in the UK.
I dont think we will see LND get to Broadway, the London one is not making money at all, its playing at a loss each week. The book is awful, the lyrics are awful and the music feels like a step back by 25 years.
I think it will play out the year in London and then we will see it vanish
Namo i love u but we get it already....you don't like Madonna
Mother's Youngr Brother - it's not than the director and choreographer are the problem, it's that they're over it and don't want to continue with the show.
It's just such a shame. Isn't the problem here the same one that faced The Pirate Queen? In both shows the composer(s) had all the power and were preventing changes to the things that needed it the most while tinkering with completely minor issues. In this case, it's the storyline (which Lloyd Webber didn't write firsthand, but he did develop the outline). I mean, my soaps have more nuance and character development. I fear Telemundo would reject this plotline as too over the top (and that's saying something). They also completely ignored an issue that Hal Prince was VERY aware of; Less is more with the Phantom. If you see too much of him, the magic goes away quickly.
Oh well. I'll always have my memories of Davis Gaines. sigh.
has anybody seen my sweet boy, White Shirt? He stopped posting on here after people made fun of his lack of professionalism.
David Gaines... Oh my goodness... What a voice. I recently found the 30-minute featurette that E! Entertianment had broadcast during the LA run in the early 90s. The footage they showed of his performance was in itself thrilling. He seemed electrifying.
How to properly use its/it's:
Its is the possessive. It's is the contraction for it is...
Hal Prince has always been as good as the material he is given. Evita and Phantom were both solid works where almost nothing was changed from day 1 till opening night.
He is not known for knowing what to do when a show is in trouble. That is not his talent and he should stay away from Love Never Dies. That show needs a miracle-worker and not Hal Prince