PerfidiousRaoul said: "Weird that they chose to exclude 'and' on the poster, it just says Natasha Pierre the Great Comet of 1812. Maybe they are opting for just The Great Comet of 1812. Groban and Benton's costumes look awesome though!"
I thought that at first too, but there is an ampersand after "Pierre".
I don't love the glossy feel to the poster. I am partial to the rough around the edges logo from the off Broadway run. Regardless, I plan to see the show many times.
willep said: "PerfidiousRaoul said: "Weird that they chose to exclude 'and' on the poster, it just says Natasha Pierre the Great Comet of 1812. Maybe they are opting for just The Great Comet of 1812. Groban and Benton's costumes look awesome though!"
I thought that at first too, but there is an ampersand after "Pierre".
I don't love the glossy feel to the poster. I am partial to the rough around the edges logo from the off Broadway run. Regardless, I plan to see the show many times.
"
Ah I never noticed that after Pierre! It's kinda bugging me now haha. I agree with the glossy feel of the poster though, I loved the off-broadway advertising for the show. This one feels much more royal though, which I guess is fitting considering Pierre's status.
They've posted the seating charts and updated their website a little more! Staircases to the mezzanine should be interesting! Does anyone think they'll need a bigger ensemble for this? It seems like it's a massive house!
Thanks for posting ....that looks pretty terrific.
I'm going to guess, that when they use the stage areas in the mrzz, there will be a duplicate scene going g on in the orchestra.
Yes, I would agree they might need a bigger ensemble than they had at the ART. (Which, I believe, was already higher than off B'way.)
If we're not having fun, then why are we doing it?
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