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-Neil Patrick Harris
GYPSY an CANDIDE are obvious choices but would still top my list.
Actually for me, just about ANY Jule Styne Overture (GENTLEMEN PREFER BLONDES, PETER PAN, BELLS ARE RINGING, SUBWAYS ARE FOR SLEEPING, DO RE I, FUNNY GIRL...) captures the brassy sound of Broadway at its best. There is an excellent collection of Jule Styne Overtures available:
Jerry Herman's MAME and MACK AND MABEL fit into the same category, and his DEAR WORLD is wonderful too.
The version of the Overture used at the start of the movie WEST SIDE STORY is terribly exciting. I also like the overture to WONDERFUL TOWN and the (apparently unused) overture to ON THE TOWN.
Technically "The Carousel Waltz" is not an Overture but on its own I rank it as one of the greatest concert music pieces of the 20th century. Rodgers' Overtures are all beautiful, especially SOUTH PACIFIC, and THE KING AND I. The Rodgers & Hart Overtures are not as well known but the ones for BABES IN ARMS, ON YOUR TOES and PAL JOEY are all great.
COMPANY doesn't have an Overture, but if you Arthur Fiedler's Fabulous Broadway to Hollywood CD you will hear a terrific 8 minute medley taken from the score of COMPANY that could very well serve as an Overture. The Overture from MERRILY WE ROLL ALONG is another favourite.
After seeing and hearing the recent revival I would have to include FINIAN'S RAINBOW: one great tune after another.
One other collection well wort checking out is taken from an Lp Lehman Engle conducted in the 1950s called Curtain Going Up. It preserves 10 classic overtures from BLOOMER GIRL, CALL ME MADAM, KISS ME KATE, ON THE TOWN, BELLS ARE RINGING, GENTLEMEN PREFER BLONDES, CAN-CAN, SILK STOCKINGS, WONDERFUL TOWN, and FINIAN'S RAINBOW. (The CD adds two bonus tracks of LI'L ABNER and GOLDILOCKS.) It is out of print now but turns up frequently in used CD stores and on E-Bay.
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
1 - Gypsy 5'20' 2 - Sweet Charity 3'36' 3 - Seven Brides For Seven Brothers 3'39' 4 - Guys And Dolls 4'14' 5 - The King And I 5'57' 6 - The Unsinkable Molly Brown 4'52' 7 - Gigi 4'27' 8 - On Your Toes 4'12' 9 - Kiss Me, Kate 6'56' 10- The Music Man 3'29'
1 - My Fair Lady 3'29' 2 - Carmen Jones 2'18' 3 - The Phantom Of The Opera 2'12' 4 - Silk Stockings 5'42' 5 - Oklahoma 5'44' 6 - Gentlemen Prefer Blondes 5'02' 7 - Candide 4'27' 8 - Singin' In The Rain 3'34' 9 - South Pacific 6'56' 10- Funny Girl 5'40'
1 - The Pajama Game 5'05' 2 - Annie Get You Gun 4'12' 3 - Paint Your Wagon 5'07' 4 - High Button Shoes 5'01' 5 - Flower Drum Song 5'06' 6 - On The Town 4'28' 7 - Cats 2'41' 8 - Bells Are Ringing 4'56' 9 - Pal Joey 4'23' 10- West Side Story 5'15' Another fantastic compilation (3cd set)
I do get dissapointed by the constant lack of overture...so much so that I was surprised when going to see Sweet Charity the other day that there WAS an overture. I probably haven't seen a show with an overture for a very long time.
I also hate it when productions cut overtures. I saw the 50th Anniversary Production of West Side Story. And whilst being a flawless production, they just didn't play the overture!
"I also hate it when productions cut overtures. I saw the 50th Anniversary Production of West Side Story. And whilst being a flawless production, they just didn't play the overture!"
West Side Story was not written with an Overture. That was added for the movie. The stage score begins with the Prologue.
And I agree with frontrowcentre about pretty much any Jule Styne overture (besides Gypsy I favor Fade Out, Fade In from his shows).
And, again agreeing with frontrowcentre, the overture to Candide is amazing. I would rank it right up against the overtures to Carmen and Le Nozze di Figaro amongst some of the tops ever written.
Li'l Abner 110 In The Shade (OBC, mistakes and all) Juno Donnybrook! Subways Are For Sleeping The Golden Apple Promises, Promises Anyone Can Whistle (which, oddly, one time I heard emanating from one of those rube-goldberg type gum dispensing machines in Navy Pier Chicago)
All things considered, I think The Producers has an excellent overture. I also love Dirty Rotten Scoundrels and Guys and Dolls (Overture and Runyonland)
Edited to add: I didn't realize these were such popular choices. I'll also throw in Ben Franklin in Paris. Truly marvelous!
Updated On: 9/7/10 at 02:53 AM
Oh yeah, Goldilocks has an amazing overture, and is among my favorite cast albums ever. I was listening to The Grand Tour over the weekend and that has a great overture. Still my favorite Herman score, I think.
AccuRadio has a station dedicated to overtures. Scroll down, it is to the right of the "Broadway Cares" station with the "Hairspray" logo. I am listening to it now: