What are some shows that you thought or that people thought in general would run for much longer?
I believe Billy Elliot was expected to run for much longer in fact i'm shocked that it closed so soon after being sold out for most of 2009 and doing pretty well in 2010.
Another one is Sunset Boulevard which i think was expected to be another mega-musical that would run for years
Billy for sure cause it did so well at the box office and review wise as a whole. Sunset had a lucrative start at the box office while Glen Close was starring and after she left the box office fizzled. The show was also very expensive to run. Jerome Robbins ran for just about as long as a show of that nature should run. Titanic ran actually a tad longer than it should have. Sweeney was a dark Sondheim musical and as artistically wonderful as dark Sondheim musicals are they never seem to run for all that long. I believe the original La Cage was expected to have a longer run. Also Rent eventhough it lasted about 12 yrs was expected to run even longer. Avenue Q also ended it's Broadway run sooner than I expected. Memphis is running much longer than it should have.
I feel like the original RAGTIME was meant to be a mega-hit....a massive theatre was built for it, a history of the USA and topical issues (racism etc.), great performances, score and special effects (fireworks?)...to me it seemed like it wanted to be an American tourist attraction that would have run indefinitely...but maybe I have the wrong impression.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I also find it interesting that Ragtime made 44 million during 1998 selling 725,217 tickets. That show would never have such an incredible wide appeal today as it had not that long ago.
Titanic Ragtime Billy Beauty and the Beast Tarzan South Pacific The Pirate Queen The Woman in White Women on the Verge Spamalot The Producers Shrek
Updated On: 5/7/12 at 09:08 AM
Various productions of GYPSY might well have been expected to run longer than they did, starting with the original production which received glowing reviews yet ran for just 702 performances. Perhaps Ethel Merman had a say in the modest run of this hit, wanting to take the show out on the road for 6 months. After all, what star of today would stay with a show for 702 performances, let alone tour with it. And who would have replaced Merman, if the show continued on Broadway?
The Patti LuPone GYPSY also received excellent notices but ran for under a year and frequently at less than capacity. I believe it was expected to run longer.
I feel like Disney was trying to set The Little Mermaid up as a big, long-running show, given all the money they spent on it. Shame it turned out so badly.
Next to Normal and Xanadu we not expected to run longer even in the slightest, they were suprise "hits" (I have hits in quotes because Xanadu technically was not a hit since it did not recoup, but it ran 12 times longer than anyone expected...a year) both shows ran longer than much longer than many expected them to run..especially being such small shows
Also on the note of Shrek the Musical I was at opening night and one of the producers was talking to me and he told me they had budgeted the show so that it could recoup after running 3 years with a 50% capacity...which I guess went out the window at some point, since it did but its gross potential percentage did hover around the 50% and did take a nose dive in October, but then recovered. They honestly could of kept it running...its holiday, spring,and summer grosses, would have made up for the slight losses in the fall and winter.
WeeThomas, The Odd Couple starring Lane and Broderick was a planned limited engagement from September 2005 - May 2006, and even got extended until June. Tickets sold out the first day, within hours. I think it did pretty well...
The producers of Xanadu honestly were pleased it ran as long as it did. I'm sure they wanted longer purely from a fiscal standpoint, but they told me many times "We were told a month, but lasted a year." They had another Whoopi-style stunt cast all set and ready but that fell through so they announced closing hoping to get a new "name" in the show.
Shrek may have budgeted that, but the theatre has a right to kick a show out if the show falls below a certain point and a new offer is made on the theatre. I think they'll recoup in London, tour, and I'm sure ametuer groups. Who knows, though?
@nasty_khakis Being given an eviction Notice by the Neaderlanders is the only reason I can think of for it closing..based on how they budgeted the show Also I have a feeling thats also what happened to Mermaid or Cameron Mackintosh was like "No you are not closing Mary Poppin's so that you can move Mermaid into the New Amsterdam...." since their grosses were pretty even and add to that the New Amsterdam has 300 more seats than the Lunt Fontaine and you realize Disney was likely making way more money off of Mermaid than they were Poppins...If I had to bet Newsies is going to have the same fate as Mermaid despite selling out week after week...the only reason Poppins is still open is because Disney is not its sole producer
I truly believe Beauty & The Beast would have run longer. I also think Ragtime & Billy Elliot too.
I remember when City of Angels (or was it Will Rogers Follies) closed and the times did an article about how it decided to close early to keep them wanting more. And it was actually a good idea instead of overstaying it's welcome.
"Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion's starting to make out that we live in a world of hatred and greed, but I don't see that. It seems to me that love is everywhere. Often it's not particularly dignified or newsworthy, but it's always there - fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends. When the planes hit the Twin Towers, as far as I know none of the phone calls from the people on board were messages of hate or revenge - they were all messages of love. If you look for it, I've got a sneaky feeling you'll find that love actually is all around."