There's a POTO thread about how the falling chandelier is no longer that impressive, because Broadway's special effects have surpassed it.
So what's the most amazing stage effect you've ever encountered?
I have two: in The Lion King, the sudden appearance of Mufasa's face in the stars was for me a gasp-inducing image.
The second one is from Sam Mendes' production of Oliver! (which had a special engagement in Toronto in 1999), with spectaclar sets by Anthony Ward: the stage floor split and was levered up to reveal Fagin's underground hideout. It was probably the most lavish production design I'd ever seen.
What are your favourite special effects?
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."
Well, there are effects and there are effects. Some effects have an emotional context and are not very expensive to create and then others are very costly.
I agree with the appearance of Mufasa's face as a very good emotional effect. I don't think that it was something that was very expensive to create bit it worked really well. Outside of the opening of the show it was thing that worked best for me in "The Lion King".
Of course there are the gimmick type effects and among them I count the chandelier and the helicopter.
I was most impressed with "An Inspector Calls" which had a terrific set of an old Victorian house that opened up like a doll house.
"Smart! And into all those exotic mystiques -- The Kama Sutra and Chinese techniques. I hear she knows more than seventy-five. Call me tomorrow if you're still alive!"
I don't know if this would actually be considdered an "effect" but at the end of the Cabaret revival '98, when the entire stage is a stark, white space, is its blingingly light and the audience is squiting, then the Emcee speaks his final words, slowly removed his coat, {drum roll}, {crash}, blackout. WOW! that was an amazing moment for me, and whether or not it was a special effect, it effected me! Plus, it most have been difficult, or at the least very cleverly devised to have the whole stage fly out at everything white. but as i recall, different pieces fly out at different times... but still, WOW
edit: OOOO- & in cats when mistofelees disappears- still baffled.
Updated On: 12/25/04 at 04:43 PM
I loved all the special effects in the lion king. They were all so inventive and fun to look at. Beauty and the Beast has great effects to, with the castle, the beast transforming, the prince changing into the beast, chip, and others.
The ending of LSOH when Audrey II comes from the stage out into the audience was pretty cool too.
"Chicago is it's own incredible theater town right there smack down in the middle of the heartland. What a great city! I can see why Oprah likes to live there!" - Dee Hoty :-D
On tour before going to Broadway, during the "Confrontation" in the second act of Jekyll & Hyde, Jekyll confronted Hyde in a huge mirror. The effect was really cool and actually got a great round of applause. It was removed from the show due to a dispute with the person who created the effect. My understanding is that he owned the rights to it and would not let them use it when the show got to New York. Glad I saw it here in Denver. Did not like what they did with that part of the show in New York!
I'm not sure what I think the most impressive special effect is, but I wanted to comment on Mufasa's face appearing in the Lion King. While I do think that it looked very cool, it was very...well, it was quite easy to guess what they were doing. I was thinking, "What are those big...oh. It's Mufasa's face." It kind of ruined the element of surprise (which they tried to increase with the "stars" projected over the entire stage, to make everything sort of invisible). Eh. *shrugs* Most of The Lion King disappointed me, actually. I love, love, love the movie, and I went in expecting to love the musical just as much. I think it tried too hard to surpass the movie and it couldn't.
WOW THREADJACK. Now I will make up for that by thinking of a cool special effect. The Phantom disappearing (and appearing at the beginning) is quite cool. And I never saw it in person, but I've heard a lot about the projection of the real knight behind Don Quixote in the revival. That sounds very cool.
I just saw The Lion King in Boston for the second time, and the Mufasa face was amazing. I know its not very elaborate, but its just a great visual effect.
And the Don Quixote shadow effect does sound very cool
"Grease," the fourth revival of the season, is the worst show in the history of theater and represents an unparalleled assault on Western civilization and its values. - Michael Reidel
the most amazing effect EVER on broadway in Taboo when Leigh Bowery(boy george) had the flashlight and he just pointed at people in the audience. WOW
NYC's Most Retarded Drag Queen
The Mimi Show: hosted by Mimi Imfurst features Broadway stars Tuesdays @ 10:30pm Weekly!
June 13th: Hairspray's Michelle Dowdy, June 20th: Aida's Lori Ann Strunk, June 27th: Composer Katie Thompson
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uncageg--I read in an interview with Robert Cuccioli that the idea to have him "flip" back and forth between the characters during "Confrontation" was his own, and he actually really pushed the creative team to let him do it. However, I don't know if this was because they no longer had the rights to the mirror, or simply because they wanted to try something new.
By the way, Cuccioli's "Confrontation" is probably my favorite special effect--the actor creates his own magic! The transformation of the Beast was pretty damn cool though.
I love in Les Mis when the runaway cart is coming and everyone goes in slow motion....that caught me off guard and I thought it was really cool.
The end of the Full Monty when you are just waiting to see if they really will go the Full Monty and then they finally do, but a blinding light hides all, very creative.
I really wish I could have seen the Man of La Mancha revival! anyone know where I can find clips of it?
When PJ Benjamin sang the title song of Charlie and Algernon with a live mouse. There was some kind of lighting effect that made it look like the mouse was dancing.
In "Dracula", when Lucy's nightgown is super-suctioned into the stage for no apparent reason.
EDIT: Before someone asks- yes, that was sarcasm.
"Goodness is rewarded. Hope is guaranteed. Laughter builds strong bones. Right will intercede. Things you've said I often find I need, indeed. I see the world through your eyes. What's black and white is colorized. The knowledge you most dearly prized I'm eager to employ. You said that life has infinite joys."
NYC's Most Retarded Drag Queen
The Mimi Show: hosted by Mimi Imfurst features Broadway stars Tuesdays @ 10:30pm Weekly!
June 13th: Hairspray's Michelle Dowdy, June 20th: Aida's Lori Ann Strunk, June 27th: Composer Katie Thompson
No Cover- No Drink Minimum
OW BAR: 221 E 58th Street (between 2nd and 3rd) www.owbar.com
I hear that one was an impressive special effect, too.
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."