Jerry Springer, the Opera will probably never make it to Broadway, unfortunately. I also doubt that we'll ever get We Will Rock You in a Broadway theatre.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
DADDY COOL will never play here since few Americans know the music of Boney M. Same with OUR HOUSE (based on the music of Madness).
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
When I was in London in the summer, I saw a hilarious production of a 40s British farce called SEE HOW THEY RUN. I absolutely loved it, and wondered why I'd never even heard of the play before. I looked on IBDB and other web sites to see if it had been staged in NY before and far as I can tell it hasn't, despite being considered by critics there to be one of the finest of all English farces and being a perennial favorite all over the UK, receiving hundreds of productions in the past 60 years. In trying to figure out why it's not been done here before, I've heard from several people that it's considered "too English" in its humor to appeal to American audiences. I don't know -- I thought it was hysterical, but I take it we may never see it staged here over on this side of the Atlantic.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
Margo, have you ever seen any of Ben Elton's comedies while in London? I've seen two: GASPING and POPCORN, which were hilarious. Unfortunately, they've never transferred. They're probably considered too dark and too smart for the "American" audience. I'd be interested in your thoughts.
Cheyenne Jackson tickled me. AFTER ordering SoMMS a drink but NOT tickling him, and hanging out with Girly in his dressing room (where he DIDN'T tickle her) but BEFORE we got married. To others. And then he tweeted Boobs. He also tweeted he's good friends with some chick on "The Voice" who just happens to be good friends with Tink's ex. And I'm still married. Oh, and this just in: "Pettiness, spite, malice ....Such ugly emotions... So sad." - After Eight, talking about MEEEEEEEE!!! I'm so honored! :-)
I unfortunately don't get to London NEARLY as much as I'd really like to (I wish I could afford to come over every couple of months), so I haven't seen either of those. However, I am a HUGE fan of Elton's Black Adder series (I have most of the episodes on DVD) and look forward to seeing whatever he comes up with next.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
I saw a fairly mediocre production of RUN FOR YOUR WIFE several years ago, but other than that I haven't seen his work.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
I've seen a couple of his shows at a local regional theatre, Craig. I saw Funny Money and Move Over Mrs. Markham. Ireally enjoyed both, and though they were quite funny.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
i would've that that AIDA would've already played the west end already... maybe i'm thinking that because elton john is based in the UK, right? or am i wrong in that thinking that...
although we got the other version... i would've loved to have seen the original production of Martin Guerre in the US... but oh well
Aida has, thankfully, never played the West End. Never say never, but it missed it's prime chance whilst the show was on Broadway.
I don't think the new London production of Cabaret will transfer so soon after the Broadway incarnation closed, and because it's style is a little more . . . peculiar than audiences may be prepared for.
Jerry Springer the Opera will never make it Broadway - the religious right just wouldn't allow it - but is opening somewhere in the US this year.
You only get the 'best' of our plays - there are many more good plays in London that won't make the leap simply because Broadway is not really the right market (not without star power behind them, anyway)
So when are we getting The Light in the Piazza then? Updated On: 2/19/07 at 09:13 AM
It seems like we're still not getting Hairspray in the UK! And shows like Sweet Charity, Dirty Rotten Scoundrels, Little Shop of Horrors... I hope they do come to WE even they're now closed on Broadway.
All That Jazz
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Anyway, Dady cool, far from being a musical masterpiece is a real piece of crap !
Sarah bernhardt to a fellow actress:
"Have you got stage fright, dear?"
"No," the young lady aswered astonished.
"Don't worry, it will come along with talent!"
Any of the great mystery plays by Anthony Armstrong, such as "Ten Minute Alibi" and "Mile Away Murder" have never made it. Ten Minute was on broadway for about ten minutes - 89 performances in the 30's. They are clever pieces a la Agatha Christie. In Mile AWay Murderer, the killer TELLS the hero he comitted the crime and challenges him to prove it as his alibi is airtight (he does prove it, BTW) and in Ten Minue Murder, the killer is the hero. He comitts the seemingly perfect crime, then we have to watch him evade discovery and arrest.
The only reason the recent of Sweet Charity never made it to the West End is because of its lackluster quality. Fosse's Sweet Charity did transfer back in the days starring Juliet Prowse and produced a cast recording.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
Re. Aida: The producers tried to bring it to the West End but couldn't because of some sort of run-in with the unions.
And, if we're talking about shows that did well in one country but poorly in another, Rent has been playing on Broadway for 10 years and is one of the most successful shows there. It was in the West End for 18 months and considered a flop.
I also believe that most of Neil Simon's biggest Broadway hits have been greeted rather indifferently in the West End. While he's had over two dozen long-running plays here, none of them lasted even a year in London (except for the musicals he's written the books for -- They're Playing Our Song, Promises Promises, Sweet Charity, Little Me).
Similarly, Alan Ayckbourn who's had dozens successful plays in the UK, has only scored one big success in America (with Absurd Person Singular, though, his plays Bedroom Farce and The Norman Conquests did have modest runs).
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney