"I just don’t think a song is necessary in that moment at all. I get wanting to give that character a song to beef the role up, but it’s just not that moment. The concept of characters breaking into song when spoken dialogue will no longer be sufficient is a bit of a cliche, but it’s generally a true one. What makes her break into song in that scene, exactly? She’s working her first day at a video store. There’s no real impetus for her to sing and it feels like a moment is being manufactured for her to do so."
I agree with Kad's point here. The show introduces Lucy at the top as almost a co-protagonist, "No More Monsters" makes a case, and then has a tough time finding pivotal moments for her to sing about. The video store, other than being Max's nocturnal domain, doesn't figure in the plotting. The set brought up another adjacent topic: this is a story set on the very edge of the Pacific Ocean, the family from land-locked Arizona. No one much notices the beach or associates the boardwalk with the mystery of all that pounding water. Lucy, ex-hippie, on the shore would've at least given her a place for yearning comparable to her son's. It's romantic, solitary, a place to sing. The show is obsessed with video arcades and cramped interiors (I kept flashing on Big.) A bit of breathtaking nature - this is a tale about nature's cruel abnormalities - would've given us a more sense of geography.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Updated On: 4/25/26 at 09:47 AM