The very, very end of Sweeney Todd gives me chills, but I've never been as scared in a theater as I was when I saw Cabaret at Studio 54. My palms were so sweaty, and it took me a few moments to collect myself. But that ending is always terrifying, no matter how it's staged. Hell, the movie still scares me.
I think the emcee takes off his costume to reveal a concetration camp uniform or something along those lines. It's been a while, sorry.
"You never really understand a person until you consider things from his point of view - until you climb into his skin and walk around in it."
To Kill A Mockingbird
Nothing scared me as much as the cast of the RENT tour a couple of years ago. Blah. They were horrible.
"TO LOVE ANOTHER PERSON IS TO SEE THE FACE OF GOD"- LES MISERABLES---
"THERE'S A SPECIAL KIND OF PEOPLE KNOWN AS SHOW PEOPLE... WE'RE BORN EVERY NIGHT AT HALF HOUR CALL!"--- CURTAINS
People mentioning that scene in Pillowman still freaks me out. I literally jumped a few inches out of my chair as well as made a verbal noise. That whole show I was FREAKED out. They need to make a movie of that play
SWEENEY TODD REVIVAL. i was on the second row and several points during the show Tobias, Johanna, Sweeney, and Patti would just randomly stare at you. ahhh it was chilling. and the very last door slamming. gee minelli
"My Mother's punishing me for going to jail without permission!"
~Penny Pingleton from HaIrSpRaY
COOOOLkid: The scary scene in PILLOWMAN is when the supposedly dead corpse of a young boy (The Writer's Brother) springs from a bed with a scream. That scene is also the scariest scene I've ever seen in theatre.
MARGARET: "Clara, stop that. That's illegal." - The Light in the Piazza
"I'm not in Bambi and I'm not blonde!" - Idina Menzel
"Could someone who knows the terribly disturbing end of Cabaret please fill in the rest of us who never got a chance to see it? "
MAJOR MAJOR CABARET SPOILERS FOLLOW....
After Cliff leaves Germany, the Emcee begins singing Cabaret again. You realize the Customs Official is actually the Emcee. As he wanders around the stage, he reminds the audience that all their troubles are gone now. When he repeats that, "even the orchestra is beautiful" the scrim is pulled away and there is no orchestra there anymore, but you can still hear them. The sound builds, and becomes increasingly dissonant. Gradually, all of the principal characters start to descend the staircases which flanked the stage. You begin to hear the sound of an oven/incinerator. The stage is completely bare and the cast moves towards the back of the stage. The sound of the incincerator continues to get louder. The Emcee steps forward, bids us all goodnight, and then, as the music builds to a final cymbal crash, takes off his coat to reveal the uniform of a concentration camp prisoner. In addition to the Jewish star, he also has the pink triangle. As the lights move to a blackout, he goes and takes his place with the other "dead" cast members. There is a final symbal crash, and then we are left in darkness.
I hope I remembered everything. It was truly shocking and incredible. Even as I type it, I am getting goosebumps. Nothing will ever compare to seeing it live, however. Updated On: 6/5/06 at 06:44 PM
Does anyone here remember "Night Must Fall" with Matthew Broderick. That scared the crap out of me. The beginning was by far the scariest thing I have ever been subjected to in the theatre. I didn't see "The Pillowman", I was very upset about it, but I'm sure it was very frightening. "Night Must Fall" started with a huge lightning crash without any warning just like Tarzan, except the Lyceum was a much more intimate theatre, which made it all the more frightening.
In the original Broadway production of Spider Woman, there were two moments that gave me the shakes. In Act One, when Valentin is poisoned, the cell's curtains suddenly part to reveal the Spider Woman standing there, coming for him. It's a quick moment, but wonderfully creepy. In the second act, the title song scared the bejeezus out of me. The subject matter was intense enough, but Chita's delivery of it-- the triumphant roar of that last line as the music speeds up and seems to crash down around her-- was just heartstopping.
Ahem. Yeah. Thirteen years later, and I'm still obsessed. Right, then. Moving on.
Much as I wasn't wowed by Shining City, the last seconds of the play gave me a nice little shudder. I wouldn't necessarily agree with Ben Brantley's description of the moment as "shocking," but it's appropriately creepy, and earns more than a few gasps.
Assassins, yeah. Intense, scary, gorgeous, wonderful. Ditto Sweeney. All of it, both original and revival.
One final memory: about twenty years ago (I'm so dating myself here), my school went on a trip to see a local children's theatre troup perform an adaptation of Poe's Fall of the House of Usher. (Why they thought Usher was a good story for a bunch of kids to read is subject for another thread.) Towards the end of the play, as the characters realise that they have buried Mrs. Usher alive, there were three flashes of lightning. In the first, we saw Mrs. Usher in the tomb, lying on her bier. In the second, she was sitting up. In the third, she was gone. I had nightmares for weeks.
"I hate musicals... People don't sing in real life."
"Well, maybe they should."
--Kiss of the Spider Woman (cut line)
I found the beginning of Tarzan a little disturbing.
http://www.beintheheights.com/katnicole1 (Please click and help me win!)
I chose, and my world was shaken- So what? The choice may have been mistaken,
The choosing was not...
"Every day has the potential to be the greatest day of your life." - Lin-Manuel Miranda
"And when Idina Menzel is singing, I'm always slightly worried that her teeth are going to jump out of her mouth and chase me." - Schmerg_the_Impaler
When I saw Sweeney, during Epiphany, Michael Cerveris looked at me and I almost screamed. It scared me that much. Also, the door slamming at the very end when the music suddenly stops...still gives me chills when I listen to the recording.