To the extent it is true, the kid seems sweet, and I think that Pink means well in trying to help her achieve her dreams. (Disclaimer: In my opinion, every parent has the best intentions for their child unless they themselves are so broken that that's impossible.)
That said, I also think her kid will look back and wish she hadn't come to Broadway like this, because a) every bitchy commentator, especially here, will say she didn't earn it, and b) she's way too young to be playing this part in particular. (And that's aside from the fact that I would be freaked the hell out to play this story with my actual family. If either of them has some bull**** "method" instinct, there's no way this doesn't end in tears.)
I will say, however, to correct a common line that's been going around, that this is far from Pink's first brush (and I do mean a brush, as she hasn't actually played a role yet) with Broadway, and not in that "I was always a theater kid" sense that she trots out on the talk shows. Most recently, she was offered Hedwig in the Broadway run of Angry Inch; farther back, during that hot second in the '90s and '00s when celebrity concept albums of show scores briefly became a thing again, Jim Steinman wanted to do one for Dance of the Vampires, and apparently that hideous key of "Total Eclipse of the Heart" that Michael Crawford and Mandy Gonzalez ultimately performed was originally designed for a cover by Pink and Steven Tyler. (Yikes.)
Formerly gvendo2005
Broadway Legend
joined: 5/1/05
Blocked: After Eight, suestorm, david_fick, emlodik, lovebwy, Dave28282, joevitus, BorisTomashevsky, Seb28
Updated On: 7/21/26 at 12:13 PM