<<<------------ jotting notes for a Lady Bird Johnson jukebox musical...
(Lady Bird! - featuring the music of Boyce & Hart, with memorable quotes by H.L. Mencken: The curtain rises on the family room at the LBJ ranch...) Updated On: 7/13/07 at 02:14 PM
It would probably be too expensive to secure all the rights, but I'd like to see a jukebox musical of 1970 songs.
All that's left is a band of gold all that's left of the dreams I hold.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
which 1970s songs? the cramps? the ramones? edgar winter? emerson lake and palmer? patti labelle? leo sayer? king crimson? sister sledge? mott the hoople?
I'm not a real fan of jukebox musicals...but I have to pick one.. how about Queen? Their music was ground breaking, and the story line behind the group would be strong enough to carry a show.
The Beatles never done as a jukebox musical? Are you kidding? Beatlemania is the ORIGINAL jukebox musical. It's even in wikipedia...
Are YOU kidding? The jukebox musical used different songs to integrate into the STORY!!!!!! And the Beatlemania show did NOT under ANY circumstances fall into that category. The original jukebox musical was MAMMA MIA. You know that. I know that. EVERYBODY KNOWS THAT!!!
I say Across the Universe would be a perfect chance of doing the Beatles' jukebox musical thing. It could REALLY work. But as a movie? I DON'T THINK SO. It works better on stage.
"How could she just suddenly, completely disappear into thin water?" - The Little Mermaid
by the way... "mama mia?" no, "leader of the pack"
re: beatlemania as a jukebox musical. one definition of the 'jukebox musical' describes it as a performance of pop songs given context by the structure of the show.
how's this for context?
act 1
SCENE 1 / CAMELOT: Pre-Beatles
The early 1960's begin with an all-time optimism in America. Youthful and elegant, John F. Kennedy charms the public and press while his First Family welcomes the public into the White House. His assassination on November 22, 1963 shocks the country in a horrifying introduction to what was to become the most turbulent of decades.
Songs: Let's Twist Again* Roll Over Beethoven* Bye Bye Love* Hound Dog*
SCENE II / THE COMING
Television viewers watch open-mouthed as a group of four Liverpudlians explode on national television. Shortly after their debut in February, 1964, the lighthearted, moptopped jesters begin to win recognition and attention never before given to rock and roll artists.
Songs: I Want to Hold Your Hand* She Loves You*
SCENE III / MAKING IT The "Fab Four" establish themselves as style-setters, innovators, movie stars, recording artists and fashion-makers with a contagious sense of humor, newness and excitement.
Songs: Help! If I Fell Can't Buy Me Love (unknown to audience, an alternate cast performed to live recording of starring cast while starring cast changes into white tuxes) Day Tripper
SCENE IV / LISTENING
As a group begins to mature musically, a sense of introspection is felt through their music. Critics begin to give them more serious consideration, while an increasing number and diversity of fans await the changing sounds of each newly released recording.
Songs: Yesterday Eleanor Rigby TAXMAN...was played instead of Eleanor Rigby when off stage orchestra was not available, especially in certain roadshow productions. We Can Work It Out Nowhere Man
SCENE V / TRIPPING
Becoming an accepted entity by the "establishment," the group takes on a whole new direction with musical experimentation and sensual, psychedelic perceptions. Their music is becoming a directional for the increasing "counter-culture" and antiestablishment youth movement.
Songs: A Day In The Life Strawberry Fields Forever Penny Lane Magical Mystery Tour Lucy In The Sky With Diamonds
INTERMISSION
act 2
SCENE V / DROPPING OUT
Their growing musical styles have connected with other cultures and lifestyles through a multi-dimensional sound which defies categorization. The country's youth follows suit in more personal, individualized self-exploration and unconventional answers to an unresponsive and static society.
Songs: Lady Madonna The Fool On the Hill Got To Get You Into My Life Michelle Get Back
SCENE VII / FLOWER POWER
Holding its own, the youth movement becomes an established force and reality, influencing all phases of society: as the "hippies" and "street-people" of Haight Ashbury and New York's Lower East Side reach for beyond their coastal boundaries into the homes of middle-America.
Songs: Come Together With A Little Help From My Friends All You Need Is Love
SCENE VIII / BOTTOMING OUT
The assasination of Martin Luther King Jr. and Robert Kennedy traumatize the country. The War in Vietnam rages on and the confusion, anger and violent confrontations in the streets of the U.S. splinter any hopeful ideals left from the early years of the decade. The group moves towards seperation.
Songs: Revolution Helter Skelter (unknown to audience, an alternate cast performed to live recording of starring cast while starring cast changed into long hair / beards and wardrobe.) Hey Jude
SCENE IX / MOVING ON
The decade climaxes as the group itself splits apart. Their songs, now individual statements, are reflective of their own personal choices and lifestyles, while the wealth of collective material remains, painting a spectrum of images ranging from the innocent of the innovators, from the celebrities to the outlaws; always growing, creating and moving beyond their audiences.
Songs: I Am The Walrus The Long And Winding Road Let It Be