Everyone crawls around on all fours throughout the entire show until the very end when the pigs rise up and do a rousing tap ballet. Showgirls come from the wings demonstrating the pig's full assimilation into the (musical theater) world.
Disney Version:
Wearing enormous, back problem inducing costumes, actors twitter about the stage singing inane songs. Entire show is directed to look at the world from the animal's point of view. The barn becomes an enormous place where animals, for some reason, conduct impressive acrobatics. Plot is reworked. No longer fascist parable, but rather story of one pig who dreamed of equality with humans, and leads the animal race to it. Children flock.
John Doyle version:
Actors sit in chairs on levels. Their clothing only barely suggests what animals they might be. They play their own instruments. They mostly talk without looking at each other in thinly veiled metaphors. At the end, the pigs get the other actors to play their instruments for them and haughtily ascend to a higher level. The whole thing is possibly a drug induced fantasy. Nobody really understands why. Lauded as genius.
I heard the John Doyle version premieres next year in the UK.
I just see it as such a great drama and I think it could be very poignant. And I would just love in the begininning the pigs being fully clothed as pigs, but aslowly loosing their pig qualities and finally becoming human.
I think if this were turned into a musical it would be truly awful. I can just picture the barnyard set with authentic animal dung and hay everywhere, complete with random animal sounds in the background. Maybe Snowball could sing a huge emotional song to convince the animals of his ideas. I think Roninjoey's idea of the pigs doing a tap dance at the end to show their full assimilation into humans is interesting.
Yeah........an Animal Farm musical would be pretty bad.
"You drank a charm to kill John Proctor's wife! You drank a charm to kill Goody Proctor!" - Betty Parris to Abigail Williams in Arthur Miller's The Crucible
I think that is unfair to say. Not all musicals have to be bright and glitzy. I am thinking more of a Sondheim sound. Like Sweeney Todd meets Light in the Piazza. I just see it.
Of course it could be a broadway musical, Harvey Fierstein as Napoleon and so on. Let's cast it! Anyone for Boxer?
The rain we knew is a thing of the past -
deep-delving, dark, deliberate you would say
browsing on spire and bogland; but today
our sky-blue slates are steaming in the sun,
our yachts tinkling and dancing in the bay
like racehorses. We contemplate at last
shining windows, a future forbidden to no one.
Derek Mahon
"Maybe all one can do is hope to end up with the right regrets."