I was curious, what about a new TONY Award Category for "Best Incidental Music(or Lyrics) in Play". Why or why not?
I figured I would ask for opinions here because I know there are people who actually work in the industry and would know the ins and outs of this much better than I.
I've looked at credits on IBDB and most if not all new plays have a composer of music listed. Why not award them for their ARTISTIC contribution to a play?
PLEASE! Do not post anything negative or dramatic! DidYouReallyHearMe has LOST the ability to ignore such posts and he will comment! Please, help him.
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"Not Barker, Todd is the only person I've ever known who could imitate Katherine Hepburn...in print." -nmartin-
Unfortunately, because incidental music (which is often more than merely incidental) doesn't draw your full attention like a regular musical number, it gets largely overlooked. Only in the cases of weak seasons or absolutely amazing underscoring does anyone even notice. Case in point, Twelfth Night was nominated in 1999 along with Parade (winner, and a great score in my opinion), Footloose (several bland new songs to join superior songs from the movie), and The Civil War (I won't get started). If you look at the 1998-99 season, is there anything else that was even eligible? Had there been, it probably would have taken the nomination, Tesori's strong work notwithstanding.
I remember last season CORAM BOY was declared eligible for the Best Score category. I wonder what place it came at the end.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
No... Sound Design and the music for mood of the production coming through the speakers that were placed around the theatre because of said "sound design" are two totally different things.