1984 at The Hudson Theatre. Near the end, when all of the walls flew out and revealed the towering, blindingly bright Ministry of Love, and they brought out the rat cage.
==> this board is a nest of vipers <==
"Michael Riedel...The Perez Hilton of the New York Theatre scene" - Craig Hepworth, What's On Stage
I'm a big fan of mystery/thriller plays and was fortunate to see many of them during their heyday in the 1970's on Broadway. There have been a few decent ones in the last decade. Hoping that the Grey House and the Broadway production of the Mousetraps will start a resurgence of this classic genre.
Jarethan said: "The Pillowman was an incredible theatregoing experience. It definitely gave me the creeps. Lee Remick in Wait Until Dark definitely received the loudest audience screams I have witnessed. This list makes me realize that there really have not been a lot of good suspense plays."
I am too young by a few years to have seen Wait Until Dark with Lee Remick and Robert Duvall, though I did see the movie (with my parents) a couple of years later. Remick and Duvall had screen pedigree so it's interesting that they were not cast in the film (well, Duvall's pedigree came a little later though he is great in To Kill A Mockingbird), but one can't complain about Hepburn and Arkin in the film. That climax brought a collective scream out of the audience in the movie theatre! I imagine it was unforgettable live.
Hal Prince's production of THE VISIT with the New Phoenix Rep (with John McMartin and Rachel Roberts) in the mid-1970's. A remarkable production I will never forget.
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian