First off, at the end of intermission, everyone was applauding someone in the mezzanine. Was there someone famous there last night?
Saw the show last night, and basically ClumsyDude15 said! A total feast for the eyes and the ears!
Last time I saw the show was in Boston, so I was curious to see if the magic really did come to life on Broadway, and if they really did make the necessary changes. For the most part, yes and yes!
While the book is still cringe and creaky in spots, they thankfully cut out Shake It Out and gave Danny the Chandelier number, because that portion of the show was painful. I also appreciate the changes to the death going into the finale. It still goes on a bit long for me, but it felt much improved from Boston.
Aaron was fine in Boston, but his character started the show so coldly, I didn't want him to be the narrator. Now it's much improved. His character feels welcoming and we feel the heart beating inside from the start. And his pipes, damn they are amazing. How we can deliver like that on a Thursday just astounds me.
Natalie Mendoza, who looking back I didn't realize was the Satine understudy in Boston, was fantastic. Great acting choices and a great voice. (I do feel she delivers her dying speech a little loudly though, like, aren't you dying?) While she doesn't quite own the stage like Olivo did, I think it's actually for the better, the chemistry between she and Aaron feels much more balanced and realistic, and I felt myself rooting for them a lot more.
Sahr Ngaujah was such a standout, he was out last night, and was missed; but Olutayo Bosede was on for Toulouse, did a nice job. Tam, Robyn, Ricky are still fantastic as always. (I think I actually enjoyed Tam this time more, there was something different, perhaps a little more human, than Boston.) The ensemble was wonderful, and while Max Clayton's thighs are missed, Giovanni Bonaventura replacement gams are a nice sight.
I do love what they did with the Hirschfeld, though I will say the set extending past the proscenium feels a bit cramped. I was in the Row N of the orchestra and while they did a great job extending the feeling of the set, it didn't quite make up for only being able to see the bottom half of the elephant. So I do wish the auditorium had a more balanced sightlines.
"Hey little girls, look at all the men in shiny shirts and no wives!" - Jackie Hoffman, Xanadu, 19 Feb 2008