What are your favorite orchestral textures/harmonies in shows? If any, what are your favorite orchestral harmonies that tie in counterpoint with the vocals?
I know it's a crazy question, but there's somebody who has a good part in a show for the orchestra.
Like take for example, I particularly love the orchestrations for the CD of Falsettoland and how they mix with the vocals (like in the end of "The Year Of The Child"), as well as the orchestrations for the stage version of Mary Poppins. I don't know maybe it's just me. I like the piano stuff that each of the two keyboardists have. Crazy grouping, but it sounds cool to have both keyboardists playing piano instead of one on piano, one on synth. I also am a big fan of the LitP orchestrations as well as Seussical and Beauty and the Beast.
"How could she just suddenly, completely disappear into thin water?" - The Little Mermaid
- Most of Rodgers and Hammerstein's musicals: Almost all of the songs in Carousel, King & I, Flower Drum Song, The Sound of Music.
- Almost all of the songs in West Side Story
- Oh, I forgot Miss Saigon - duh...my avatar!
"I love acting. It is so much more real than life." Oscar Wilde "After silence, that which comes nearest to expressing the inexpressible is music." Aldous Huxley
Josh, I am so glad that you appreciate these things. Welcome to the board! Oddly enough, being a singer, I tend to listen to to the vocal arr. so this post had me thinking, and going back to old cast recordings.
<< Gavin Creel and Kate Baldwin making vocal love... I adore these two.
The one that comes off the top of my head is the double trumpet part in "The Ballad of Booth" around the "Damn you Johnny! You paved the way." I love the revival orchestrations.
I like the part of "Another Hundred People" in Company where the brass goes Da-da Da-da Da-da-da-da Da-da Da-da-da-da (It's very similar to the Bobby-Bubby) part.
Something like that. It's toward the end, but it sounds great. Watch the cast album DVD for it! Updated On: 2/18/06 at 05:51 PM
I love The Light in the Piazza's, but especially in Passeggiata, towards the end (I am work here in the tie shop...). The orchestrations are just beautiful. It makes me wish I had taken Band or an instrument class.
I totally agree about West Side Story. Some of the pure orchestra songs don't sound pretty, but they aren't supposed to like "The Rumble." The harmonizing is so perfect to accomodate what is happening on the stage. Lots of the dance breaks also mesh great with vocals, like in "America" and "Cool." And the slow songs like "Balcony Scene," "Somewhere," "I Feel Pretty" and especially "One Hand, One Heart" combine the orchestra with the voices to make such gorgeous sounds. OHOH in particular has a gorgeous flute/clarinet harmony.
Ooh, also many in Miss Saigon. The instrumental endings of "Last Night of the World," and "I Still Believe" are gorgeous and dramatic, and the instruments play an important part in essentially all the songs.
Other favorites:
A New Argentina-Evita Memory-Cats Phantom of the Opera-Phantom of the Opera Dance of the Robe-Aida Facade-Jekyll & Hyde Maybe This Time-Cabaret Easy As Life-Aida Stars-Les Miserables One Day More-Les Miserables Empty Chairs At Empty Tables-Les Miserables Rain-Once On This Island Pray-Once On This Island Angel of Music-Phantom of the Opera New Music-Ragtime Wheels Of A Dream-Ragtime Fable-Light In The Piazza (La Passegiata as well ) A Bit Of Earth-The Secret Garden
Actually, most of the songs in The Secret Garden have gorgeous orchestrations.
No One Mourns The Wicked-Wicked the end of Defying Gravity-Wicked
"If there was a Mount Rushmore for Broadway scores, "West Side Story" would be front and center. It snaps, it crackles it pops! It surges with a roar, its energy and sheer life undiminished by the years" - NYPost reviewer Elisabeth Vincentelli
"You can only become truly accomplished at something you love. Don't make money your goal. Instead, pursue the things you love doing, and do them so well that people can't take their eyes off you."
- Maya Angelou
Josh, do you have this recording? Boublil and Schonberg's Symphonic Pieces - Les Miserables Symphonic Suite and Miss Saigon Rhapsody for Piano and Orchestra
"I love acting. It is so much more real than life." Oscar Wilde "After silence, that which comes nearest to expressing the inexpressible is music." Aldous Huxley
"I love acting. It is so much more real than life." Oscar Wilde "After silence, that which comes nearest to expressing the inexpressible is music." Aldous Huxley
I just saw Parade yesterday & I was nearly distracted by the score. The way the tension formed in the orchestra went so perfectly with the tension onstage, everything went together beautifully. Wonderful job done by JRB.
I also find the orchestrations in WICKED very impressive.
What I find the most intriguing is the guitar technique known as the "E-bow". You hear it in the beginning of "As Long As You're Mine," and interspersed throughout the rest of the show as well, to give for an "eerie" sound. The orchestrator, William David Brohn, also used the "E-bow" for the stage orchestration of MARY POPPINS, since it has a more darker edge to it.
For more info on how it sounds like, see this website: www.ebow.com
"How could she just suddenly, completely disappear into thin water?" - The Little Mermaid
I agree! I don't know the technical terms, but Wicked is another score with wonderful moments in it(regardless of what many people say about the actual show).
Jackie's Last Dance from Lippa's Wild APrty. When the flutes play "Queenie Was a Blonde," specifically.
http://www.beintheheights.com/katnicole1 (Please click and help me win!)
I chose, and my world was shaken- So what? The choice may have been mistaken,
The choosing was not...
"Every day has the potential to be the greatest day of your life." - Lin-Manuel Miranda
"And when Idina Menzel is singing, I'm always slightly worried that her teeth are going to jump out of her mouth and chase me." - Schmerg_the_Impaler
You're looking at another Besterman fan. He actually went to my camp (French Woods Festival).
If you like him that much, have you heard some of his new charts for the Producers film? They're awesome! They bring back some of the old charts for movie musicals like Best Foot Forward or On the Town. I miss those.
Yeah, I second "You're Nothing Without Me", especially at the beginning how the piano doubles the synth. It's cool.
"How could she just suddenly, completely disappear into thin water?" - The Little Mermaid
Yes I have heard the charts for the film, and I'm very impressed. I particularly like I Wanna Be A Producer (the intro, oooh!), as well as Betrayed and King of Old Broadway, but most of all "Guten Tag Hop Clop". There are some moments I just have to rewind again and again.
I think Doug was let down by a hasty recording job on the Broadway Cast recording.
For someone so young to have put out so much great stuff, I'm very impressed. I think there are many more great sounds to come from this chap.
Josh, I'll add you as a myspace friend if thats ok.
My favourite orchestral harmonies are definitely in Ragtime. When I hear the soaring music, it makes the hairs on the back of my neck stand up. Listen to the first 25 seconds of the Courtship (right after Your daddy's son). It is Gorgeous!
On another note, I think Ragtime also has the best vocal harmonies in any musical. It is so textured and gorgeous all the way through. Love it love it love it!