DEATH OF A SALESMAN 2026 Reviews — Page 2

Although I completely agree with his conviction not to support Rudin, I'm not on board with this statement from Peterson's article: "Let me be clear. This is not about Arthur Miller or Nathan Lane or Laurie Metcalf. It is not even really about the production itself, which I am sure is being performed at an incredibly high level."

Let's assume there are people involved with the production who have, or have had awareness of Rudin's behavior as cited in Peterson's article. If that's the case, then those people are all equally complicit in turning a blind eye for the sake of achieving their own goals of being in, or mounting this production. Peterson acknowledges this notion when he writes: "It feels like the Broadway community was simply waiting for permission to move on and get back to business."

IMO. it's hypocritical that Peterson is willing and able to give a pass to those who are complicit by making their choice to ignore the unacceptable behavior.

I also question the maturity of his decision to “Not Support ‘Death of a Salesman’”. That’s not just a “title” he won’t support. That’s an entire cast and crew. And a director. And both FOH and BOH. And probably more that I’m not familiar enough to be able to also name.

You, Mr Peterson, would sacrifice all of them by withdrawing your support as penance for the sins of one, singular (albeit, really bad) man? And let’s not forget you just wrote them a free pass from blame - but you are “Not Supporting ‘Death of a Salesman’”

Isn’t that just how things go, now. Bad people do really bad things that they are not held accountable for. Oh, dear. So nu/new. For Heaven’s sake, support the show.

You REALLY want to protest? Find an effective way to get Rudin un-recognized (financially, award, etc. - however you want - socially unrecognized) should the show be nominated for The Tonys. Ignore him. Complete radio silence. Cancel culture , if regulated, is effective.

The man has essentially been cancelled for the past 3 years (from what I read, here). Now he's "making a comeback". Why work so hard at doing “nothing” (because not supporting is [literally] doing nothing). Find a better way to actually do something that will accomplish a goal.

If Peterson’s article (or he himself for that matter) had any backbone, it would find a better solution than to (both literally and publicly) proclaim it will do nothing.

Still, I agree re: his reasons for choosing not to support. I just think his methodology for solving the issue is a really, and stupidly bad choice to make.

Updated On: 4/10/26 at 07:43 PM

Anyone see Jack Falahee's Happy debut tonight?

I'm just appalled by Robert Hofler's constipated review. The thoughtfully directed performances kept my attention riveted and built the rising action masterfully. His grouchy nit-picking review completely missed the mark. A case of pearls before swine.

With all due respect to the artists involved, you should skip Angels and see the entirety of Salesman. You won’t be sorry, but your husband may not be too happy at first. He’ll survive. This production should not be missed.

decotodd said: "Hi gang! I'm going to be in NYC for just a couple of days and only a few slots. I already committed to seeing FALLEN ANGELS because my husband wants to see it, but is it feasible to try and catch act 2 of DEATH OF A SALESMAN since FALLEN is only 90 min. no intermission? Obviously that doesn't do the full play justice, but I could at least see some of it and doubt I'll be back in the city before it ends. I'll probably spring for a ticket if so, rather than gambling on a same day discount."


Split up for the evening and each see your preferred show? Your husband can go shopping for you while he waits

Updated On: 4/14/26 at 08:29 PM

It appears the show is moving to a 7-show week. A couple of online reports have indicated people are receiving performance cancellation messages for Tuesdays in May. The Telecharge schedule shows some May Tuesdays and nearly all June and July Tuesdays will be dark in addition to Mondays. Was this always the schedule, or is eight shows a week of this material proving too much for the cast to handle?

I saw the production Saturday evening the 18th of April and thought it was splendid. Jack Falahee was signing playbills at the stage door. I know he was scheduled for Happy during the matinee but does anyone know if he also did the evening performance? I was sitting in the back of the orchestra so I assumed I was watching Ben Ahlers and there was no mention of an understudy performance in the playbill. In retrospect I think I saw Jack. Maybe there was a notice in the lobby and I missed it.

Nathan will be on Howard Stern tomorrow morning (Tue 4/21).

This production is one of the finest pieces of theatre I've ever experienced.

I feel genuinely privileged to have been able to see this.

Wow. Just wow.

I saw this play last night - my first time experiencing Desth of a Salesman at all. WOWZA! The piece seems to certainly hold up (although it’s not my favorite play), but the production and this cast were truly exceptional all around.


Laurie Metcalfe: what a privilege to get an opportunity to see her live for my first time. I hope everyone gets a chance to watch her perform live someday.

I went into Death of a Salesman completely blind this afternoon. I had never read the play or seen a production before. Discovering this masterpiece for the first time ended up being one of my personal highlights of this Broadway season.

The performances are absolutely extraordinary. The acting is deeply moving, raw, and devastating. Nathan Lane and Laurie Metcalfe once again prove why they are two of the finest stage actors working today. Christopher Abbott and Ben Ahlers share terrific chemistry as the brothers, bringing warmth and authenticity to their scenes together. I was completely drawn into the Loman family’s world, and for three hours these characters had me utterly captivated and heartbroken.

The physical production itself is equally striking. The sparse, minimalist set leaves the cavernous Winter Garden Theatre stage completely exposed, while the lighting design is gorgeous, eerie, and perfectly moody throughout.

This is one of those productions that will forever be seared into my memory.

Wow. What a production. Need to echo what so many others have said. The performances are top notch…that goes for the entire cast. It’s rare when everyone is so good. No weak links. So emotional too. Could hear someone behind us softly crying towards the end. Also, many intense, dramatic moments where you could hear a pin drop. Staging, though sparse, was perfect. Fantastic lighting. Bravo!

Updated On: 5/10/26 at 05:53 AM