Must Include: The Sound of Music, The Wizard of Oz
Alright I admit - I can't decide.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
LOVE THAT!!! They did it better than I ever would have thought it would be. I would have to say Rent. I just didn't like the fact that they cut a lot of the songs and Mark and Rodger's fight.
I'd have to divide this intom sections 1950s: Singin in the Rain 1960s: West Side Story 1970s: Cabaret 1980s: All That Jazz 1990s: None (Evita could have been better) 2000s: Chicago
I slapped myself for not mentioning West Side Story... and Oliver.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
Sound of Music by far honorable mention: Thoroughly Modern Millie, Oliver!, Moulin Rouge, Chicago. Do Disney movies count? if they do I must include Beauty and the Beast, Little Mermaid, Sleeping Beauty, and Cinderella.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle