"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
I have a feeling Superman will be a lot more profitable then Spider-man. It cost only $800,000 for it to happen in Dallas. Put a little more depth in every aspect (costumes, scenes), this will be a cheaper show to create. A fraction of Spider-man's $52 million budget.
One thing I can guarantee, It the are both running at the same time. Superman will have heart. Julie's Spiderman will not. Julie doesn't know how to direct heart.
Those Blocked: SueStorm. N2N Nate. Good riddence to stupid! Rad-Z, shill begone!
You mean nobody has come on here shouting Cheyenne Jackson yet?
His name was mentioned a few times in the other thread
"All our dreams can come true -- if we have the courage to pursue them." -- Walt Disney
We must have different Gods. My God said "do to others what you would have them do to you". Your God seems to have said "My Way or the Highway".
Tourboi, the name is Director1971. If you're going to gloat unnecessarily, get it right.
And this article does nothing but say the Dallas team sure would like for the show to go to Broadway, which is nothing more than what they've been saying for months. But it takes more than that to actually DO it.
And, to quote from the Dallas Observer article about the show's evolution:
"When I asked a DC spokesman if there was anyone at the company to whom I could speak about this revisal, I received instead this terse statement: "When DC Comics became aware of the Dallas Theater Center production of It's a Bird...It's a Plane...It's Superman!, we advised the producers that the show must remain faithful to the original 1966 production. The Dallas Theater Center, a not-for-profit organization, understands that this production is limited to a one-time run in Dallas. DC Comics wishes the Dallas Theater Center a successful summer season."
In other words: Don't even think about taking this show on the road."
Just to clarify...the Dallas production of Superman has an entirely new libretto. It is not just tweaked with a few updates. It is a new show with a new story and many new characters. Nothing remains of the original show but the music and major characters of Superman, Clark Kent, Sidney Sharp, Max Mencken (albeit in another form - he is no longer is a fellow reporter at the Daily Planet), and Perry White.
Sorry but Cavenaugh comes across looking like a boy and singing like one too. He is too slender helping make him look more like a boy in those tights and leotards. Hell Lois looks like she could take him!. He was too old for West Side Story and too young for Superman. Besides that he has to lose that Joe Kennedy accent!
Those Blocked: SueStorm. N2N Nate. Good riddence to stupid! Rad-Z, shill begone!
Superman will bally Spider-Man if it does come to Broadway. While Spider-Man may attract more audiences, Superman will be a lot cheaper to bring to Broadway considering the production is already playing in another city and would just have to transfer when it closes in Dallas. I personally would love to see both productions, but I think Superman will pose a challenge to Spider-Man in terms of ticket sales and overall production.
"There’s nothing quite like the power and the passion of Broadway music. "
What is not being considered here is that this would not simply be a direct transfer to NY for the fall. It's not like this show is just going to pick up and move to some empty theatre on Broadway. There is still much work to be done on the new book and songs before it's ready for Broadway, at the admission of the current production team (and the majority of the critics). They have to find major financing and secure real estate (which is in short supply on the Great White Way), as well as recasting the show - very doubtful the local non-Equity actors would be asked to come along.
"What is not being considered here is that this would not simply be a direct transfer to NY for the fall. It's not like this show is just going to pick up and move to some empty theatre on Broadway. There is still much work to be done on the new book and songs before it's ready for Broadway, at the admission of the current production team (and the majority of the critics). They have to find major financing and secure real estate (which is in short supply on the Great White Way), as well as recasting the show - very doubtful the local non-Equity actors would be asked to come along." This is true. However the physical aspects of the production including sets, costumes, lights, etc. would probably remain the same which would make it very easy for the show to open in New York soon. And as you said some work would have to be done with the book. I would be surprised to see a transfer by fall, but I would not be surprised to see a transfer happen very soon as the production is already proving to be successful in Dallas. After a few adjustments and changes, Superman should be ready to go.
"There’s nothing quite like the power and the passion of Broadway music. "