Lastly, I would like to one day replace Idina Menzel in the role of Elphaba so at the end up act two as I'm standing on a wretched, sad looking platform pretending to fly, I can jump off and kill myself, hopefully landing on whoever's playing Glinda.
"If you are going to do something, do it well. And leave something witchy."-Charlie Manson
Creon from 'Antigone' Lear from 'King Lear' Hamlet from 'Hamlet' Henry V from 'Henry V' Harold Hill from 'The Music Man' Javert or Jean Valjean from 'Les Miserables' Mark Cohen from 'Rent'
And probably my number one: Max Bialystock from 'The Producers'
Curly in "Oklahoma!" Percy in "The Scarlet Pimpernel" Bobby in "Urinetown" Coalhouse in "Ragtime"
there are others, but I am drawing a blank. I know I always say that male broadway characters have the best songs...
Edit: Although I really dislike the "The Music Man" I would love to sing The Sadder But Wiser Girl--so I guess Harold Hill, too.
Updated On: 11/8/04 at 09:18 AM
hmmmmmm...I'd have to say its either Blanche Dubois (Streetcar Named Desire) or Dot/Marie in Sunday in the Park with George
"I don't really get the ending,all i can go with is when after several months,Judith saw Pat sang,and later she kissed him on the toilet,after that the story back to where Pat went down from the stage after he'd sung,and he went to the italian lady.I just don't get it,what Judith exatcly meant when he kissed Pat that she had seen,and did Pat end up together with The Italian Lady?Please help me,thank u very much!"
Quote from someone on IMDB in reference to a movie he/she didn't understand. Such grammar!
Oh this is fun! to be a seterotypical RENThead, I have to pick Mark or Roger. I love both characters!! also, i'd love to be Radames or the Emcee (can you tell i'm an Adam Pascal freak? lol)
MAX BIALYSTOCK and ORIN SCRIVELLO! They just don't write female characters like that. Charlie Brown, Mark, Percy from Pimpernel, Nicely Nicely.
Rosencrantz: "Be happy - if you're not even HAPPY what's so good about surviving? We'll be all right. I suppose we just go on."
- from Tom Stoppard's Rosencrantz and Guildenstern are Dead
#1 - Audrey in LITTLE SHOP OF HORRORS Despite the fact that I am male, I have a crazy falsetto in which I can belt like a female and if you closed your eyes, you'd never know the difference, and Audrey happens to fit my falsetto range beautifully.
#2 - Miss Adelaide in GUYS AND DOLLS I mean, come on. It's Miss Adelaide. Who doesn't love Miss Adelaide??
The Witch- Into the Woods Fruma Sarah- Fiddler Velma- chicago Elphaba- Wicked
And you think of all of the things you've seen, and you wish that you could live in between ,and you're back again only different than before...
After the Sky.
-Into the Woods (Jack)