I wish I could have seen The Best Little Whorehouse Goes Pubic.
Just reading the reviews and reading about scenes of "middle aged men with their pants at their ankles singing about call girls who were spread eagled in lucite boxes representing computers..." wasn't enough!
"My dreams, watching me said, one to the other...this life has let us down."
I actually saw Annie 2 when it toured the Kennedy Center...Of course I was like, 7 and loved it, but I coudnt tell you now how I would feel...I hardly remember seeing it, I just know my ticket stub is somewhere in the depths of my scrapbook lol.
*Krissy*
**Support the use of illegal wood burning stoves. Get your own metal trash can today!**
MERRILY WE ROLL ALONG WAS NOT AND IS NOT A TRAIN WRECK IT IS A BEAUTIFUL PIECE OF ART
that said, i wish i'd seen ALL OF THEM!!!! after Chris J Hanke's performance at FLOPZ tonight, most prominently, I wish I'd seen Marilyn: An American Fable
I also would've loved to see Via Galactica and Dude
The Train Wreck I wish I'd NEVER seen is my daughter-in-law.
Hold up. You have children, Dollypop?
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Merlin The Wind in the Willows Rue in Wicked Once Upon A Mattress revival Breakfest at Tiffany's High Fidelity Suzzane Somer's show
I'm sure there are more I can't think of...
EDIT: Macbeth w/Kelsey Grammer. I forgot that one.
"I'm tellin' you, the only times I really feel the presence of God are when I'm having sex and during a great Broadway musical." - Nathan Lane - Jeffrey
Cheyenne Jackson tickled me. AFTER ordering SoMMS a drink but NOT tickling him, and hanging out with Girly in his dressing room (where he DIDN'T tickle her) but BEFORE we got married. To others. And then he tweeted Boobs. He also tweeted he's good friends with some chick on "The Voice" who just happens to be good friends with Tink's ex. And I'm still married. Oh, and this just in: "Pettiness, spite, malice ....Such ugly emotions... So sad." - After Eight, talking about MEEEEEEEE!!! I'm so honored! :-)
"I'm tellin' you, the only times I really feel the presence of God are when I'm having sex and during a great Broadway musical." - Nathan Lane - Jeffrey
What was Here's Where I Belong? I've never heard of it
A lot of ones have been mentioned already that I woulda loved to have seen... Some I haven't seen mentioned
Shogun the Musical! That musical about thre Holy Shroud paid for by born agains starring Dean Jones (Something about Light?) Raggedy Ann sounds fascinatingly bizarre. the sing songy Joe Raposo songs from the animated version with all teh fairy tale trappings but also odd Freudian nightmare elements involving child abuse, images of the little girls mother being hung froma nigthmare tree, etc.
HERE'S WHERE I BELONG was, if you can believe this, a musical of Steinbeck's "East of Eden". The material had possibilities, but it was in completely the wrong hands and never stood a chance.
IMHO, ANYONE CAN WHISTLE is hardly a trainwreck. It had a solid concept, great direction, and impeccable performances and design. What it *didnt* have was that "audience friendly" quota that a show has to have to succeed. It was in three acts, and the first act ended with the cast pretty well insulting most of the audience by mocking their applause... not the best way to send folks out for a drink, but not a trainwreck element.
I've seen more than my share of them, actually, but the one I wish I'd seen was MATA HARI, which was apparently so bad the audience stayed to see how much worse it could get. The script is at the Lincoln Centre library, and I spent a hysterical three hours reading it. According to legend, it surpassed the audience's wildest hopes of so-bad-you-cant-take-your-eyes-off-it theatre, with scenic changes that left the crew visible, error-filled choreography, and a final scene that had everyone leaving in gales of laughter: the actress playing Mata rising from the dead and standing because she thought the curtain had come down (which, natch, it hadnt). Like CARRIE, this was one of those utterly WTF evenings.
I've only seen a few horrible shows. I saw Dance of the Vampires...horrible. But Michael Crawford was great.
I saw The Odd Couple revival. I personally LOVED it but Matthew's performance sucked...badly...I couldn't beleive how bad he was. They should've gotten Mark Linn-Baker.
Tarzan was bad but far from a train wreck.
"I'm tellin' you, the only times I really feel the presence of God are when I'm having sex and during a great Broadway musical." - Nathan Lane - Jeffrey
Interesting--I didn't realize it was a musical of East of Eden--like you said not necesarily a bad idea but the fact itself that they named it Here's WHere I Belong makes you think they probably started off on the wrong note... Was it Terrance McNally's first musical? And Alfred Uhry did the lyrics? I don't recognize the composer's name though I know he did Robber Bridegroom with Uhry a show I always intended to find out more about--but with those names you'd think it would at least be slightly more sucessful...
I agree about ANyone Can WHistle--while I don't think the book (which I've read but never seen performed) was truly ahead of its time as some fans claim it's definetly solid (if unconventional for the time) and it sounds liek the direction and choreography--and of course performances--were more than solid. I guess some people realized too--you didn't see most "infamous flops" of the 60s being recorded by major producers.
(having seen the video of Merrily We ROll Along that Lincoln Center hosts of the original production--far from a great documentation but--even the ugly physical production they ended up with likewise doesn't make the show a true trainwreck IMHO--much of it still works very well)
Would Illya Darling fit into this category? Wasn't there a RUssian themed show that closed outa town which I believe both Loesser and Fosse were involved with in the 60s?
SOme shows I guess are trainwrecks partly or even only just because of such high expectations because of who's involved (ie Fosse's Big Deal).
ALso the majority of these I think are musicals partly because a bad play (unless truly insane sounding like Moose Murders) is usually just boring--but a bad musical is often spectacularly bad.
Interesting--I didn't realize it was a musical of East of Eden--like you said not necesarily a bad idea but the fact itself that they named it Here's WHere I Belong makes you think they probably started off on the wrong note... Was it Terrance McNally's first musical? And Alfred Uhry did the lyrics? I don't recognize the composer's name though I know he did Robber Bridegroom with Uhry a show I always intended to find out more about--but with those names you'd think it would at least be slightly more sucessful...
I agree about ANyone Can WHistle--while I don't think the book (which I've read but never seen performed) was truly ahead of its time as some fans claim it's definetly solid (if unconventional for the time) and it sounds liek the direction and choreography--and of course performances--were more than solid. I guess some people realized too--you didn't see most "infamous flops" of the 60s being recorded by major producers.
(having seen the video of Merrily We ROll Along that Lincoln Center hosts of the original production--far from a great documentation but--even the ugly physical production they ended up with likewise doesn't make the show a true trainwreck IMHO--much of it still works very well)
Would Illya Darling fit into this category? Wasn't there a RUssian themed show that closed outa town which I believe both Loesser and Fosse were involved with in the 60s?
SOme shows I guess are trainwrecks partly or even only just because of such high expectations because of who's involved (ie Fosse's Big Deal).
ALso the majority of these I think are musicals partly because a bad play (unless truly insane sounding like Moose Murders) is usually just boring--but a bad musical is often spectacularly bad.
Kelsey Grammer's "Macbeth" did open on Broadway and lasted a week and a half.
Trainwreck or not, I wish I'd seen the original "Anyone Can Whistle." It was regarded as a train wreck at the time, although it has gained in reputation ever since.
Cheyenne Jackson tickled me. AFTER ordering SoMMS a drink but NOT tickling him, and hanging out with Girly in his dressing room (where he DIDN'T tickle her) but BEFORE we got married. To others. And then he tweeted Boobs. He also tweeted he's good friends with some chick on "The Voice" who just happens to be good friends with Tink's ex. And I'm still married. Oh, and this just in: "Pettiness, spite, malice ....Such ugly emotions... So sad." - After Eight, talking about MEEEEEEEE!!! I'm so honored! :-)
Holy Cow! I can't believe the MACBETH made it to New York.
Similarly, having seen it in Boston, I was shocked when WAIT UNTIL DARK actually opened on Broadway with Marisa Tomei and Quentin Tarentino. What a mess! To quote John Guare, "It was an all-time low in a lifetime of theatre-going."