Ever seen a show where there are sometimes spots that don't really call for applause but get it anyway? I have seen a few.
In Wicked, when Elphaba says, "Well, there's no place like home" that got applause both times that I saw it because of the audience's recognition of the line from the 1939 movie.
One time in Avenue Q, even though Rod requested no applause after coming out of the closet, he got it anyway. That was the second time I saw it. The first time I saw it, there really wasn't any applause.
"Ev'ry-buddy wants ta get into de act!"
- Jimmy Durante
"Breathe from your hoo-hoo."
-Kristin Chenoweth
I agree about WICKED in general when it comes to references to the Wizard of Oz - people take them make them bigger than what they are. Sure it's cute and sometimes a bit funny, but they don't need a huge reaction. The two stories are supposed to go together. That's why I absolutely hate it when I watch videos of Defying Gravity and people laugh when Glinda puts the cape on Elphaba. End Rant.
They didn't laugh when I saw it live either. But in certain videos, they do. Someone needs to chill out and stop telling other people what to do like they're not as good as him/herself...
They've laughed the three times I saw it in Chicago, too. It doesn't make any sense to me. I mean, it's clear from the general tone and the music that they're not trying to make a joke there. The "No place like home" line also gets some attention, but in that case, I think it's at least semi-deserved and meant to be a funny little comedic relief moment.
The cape laugh is an awkward laugh, because it hits the audience out of left field and is awkwardly put into the scene. It just doesn't work. It's obvious that it's just there to make her look like the Witch.
in Hairspray sometimes people applaud when Link tells Amber to go, which I like, but it doesnt always happen and its not expected. And sometimes people applaud when Edna says 'boys are not the brightest things' but I suppose thats when the audience is filled with jaded straight girls and gay men.
Ok, I may get shot for this, however the love of "Oz" in me requires it:
The laughter, as B3 did point out is awkward, at least it is for me, because it's almost the final blow, she has the broom, she has the hat, all she needed was the cape.
The applause during "It's Me!" is for two reasons, one because it's just an exciting moment that deserves it, and two because here she is, a girl going against the government, and we know she is going to loose, but for that moment there is hope that she won't. She's doing what she feels is right, and stepping away from what she could have, and I feel that's worthy of applause.
For me, the kicker is when they laguh after "As Long As You're Mine" when she says "For the first time, I feel....WICKED" it usually gets played for sexual humor, but I always viewed it much darker.
This happens all the time, but this is one of my pet peeves...
I was watching the awful Ray Charles Musical Review "I CAN'T STOP LOVING YOU" and the music started playing for 'Georgia on my mind'. A pretty recognizable song in the first place with the first few notes. I got this wonderful feeling because the music was pretty well executed and the arangement seemed to be pretty good. The audience is silent. Not a peep. Then the man starts to sing. He sings the first "Georgia" and then THUNDEROUS APPLAUSE. As if these people didn't realise this song was in the show. Couldn't they tell from the music? It says it in the program, it is a Ray Charles song. So the entire first verse we miss because people are clapping. I know it happens often, but I think it's a little silly. Recognize the singer at the end if you want. But not while he's singing.
Just a short rant. Sorry.
"It's like children's theatre for 40-year old gay people!" - XANADU THE MUSICAL
Just because you get a full cast doing a kickline, it doesn't mean it's applause worthy. The Rockettes deserve that applause. The men in La Cage deserve that applause. The Rantoul Community Players do not. Every.single.time. ARGH! ::breathes::
Variations on a Theme blog: http://panekattack.blogspot.com/
That's so funny that you say that BreakingTheCircle, because that is so definitely true. Every time I've seen a kickline, it always, ALWAYS gets applause. Whether it's 7 4-year-olds in tap costumes or the Rockettes...I guess kicklines just strike a chord with some people? Some deep-seated hunger for synchronization?
"You can only become truly accomplished at something you love. Don't make money your goal. Instead, pursue the things you love doing, and do them so well that people can't take their eyes off you."
- Maya Angelou
"I absolutely hate it when.....people laugh when Glinda puts the cape on Elphaba."
I totally agree, and was going to say something about that. I understand it's kind of a reference- like, oh she put a cape on her and the witch in the movie has a cape, etc...but why is it funny? I've never once gotten the urge to laugh at that.
I don't think the Elphaba/Glinda/cape moment gets a laugh because people think it's funny. I think it's more of a knowing chuckle....a moment of recognition. We've seen where the green skin came from....and the pointy hat....and the broom....now we have the cape and the picture is complete.
I saw a clip on the Site That Shall Not Be Named of the London production, and (at least for this particular performance), the blocking was altered slightly so that Glinda put the cape on Elphaba while she was still crouched on the floor. Glinda steps back and Elphaba slowly stands to reveal the full effect of the hat, broom and cape. A very subtle difference in staging, but it made a huge impact. It became a spine-tingling moment rather than a mildly amusing one.
"Word of advice: Be who you are, wear what you want---just learn how to run real fast." Marc, UGLY BETTY
Umm... forgive the 7th grade English lesson (those of you who passed middle school can skip ahead to the next post... but be honest), but so many of you seem confused. It's called dramatic irony. The audience knows something that the characters do not. Glinda is so daft and full of kind intentions when she puts on the cape that it makes the dramatic irony all the more powerful and the audience can revel in their exclusive knowledge even more. Irony of any kind is certainly amusing and exciting for us, and, in most cases, it's funny. This includes dramatic irony. We chuckle at this poor, optimistic girl, who doesn't realize what she is doing.
Even though some of you have seen the show a million times and have very serious thoughts about the characters, I'm sure you understand that the majority of the audience is just there for fun, most for their first time, and the show was written to provoke this kind of fun, positive reaction from them. There have been a thousand discussions about all the ways (plot, lyics, music, dialogue) in which Wicked fails to hold up after repeated viewings.
That's not to say that dramatic irony always gets or deserves laughs. Even though most of you clearly take the show very seriously, Wicked is still a light and buttery popcorn flick of a show about brightly colored characters in a fictional enchanted kingdom. It's lite entertainment, and the audience having that extra knowledge about the meaning of the cape is fun, and we chuckle about it. More serious shows don't get or want laughs for this kind of writing. Cabaret, for example, whose dramatic irony is mostly forshadowing the rise of Nazism and a bit of the Holocaust, is more likely to inspire goosebumps than giggles.
"I just want a story and a few good songs that will take me away. I just want to be entertained. I mean, isn't that the point?"