What do you guys think about this? I think it's a curious question. I just saw Kristin Chenoweth at the Hollywood Bowl, and I was waiting all night for "Glitter and Be Gay", but she did not sing it. Just wondering if you guys think it would be because many people would not know the song, or maybe because she is just trying to change up her set list.
My biggest pet peeve right now is when people pronounce it "Marry-us" and not "Mah-ree-us".
I'm not sure but when she was at the Sydney Opera House she did not sing it either BUT THE MUSIC WAS THERE ON THE ORCHESTRA STANDS. It was quite frustrating. Maybe she doesn't sing it if she is too tired/sick or something.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Yes it should, No one I know knows about it. It not like Guys and Dolls Oklahoma Sound of Music etc. But Kristin would be amazing in the role of Cunegonde and I would pay top price to see her in the role.
You should watch the DVD recording from 2004. She played Cunegonde and Patti LuPone played The Old Woman...the other leads were really great too, but unfortunately I do not know their names off the top of my head. You might be able to find it on YouTube. By the way, Kristin Chenoweth was super fantastic!
My biggest pet peeve right now is when people pronounce it "Marry-us" and not "Mah-ree-us".
How can it be considered obscure? The Original Broadway Cast Album has never been out of print. It has had two subsequent Broadway revivals. It had a successful City Opera production that was broadcast on PBS and has been revived there several times since. It had a major studio recording, conducted by Bernstein, and taped for television and DVD. There were major productions of it by the Scottish Opera and the Royal National Theatre, as well as the Théâtre du Châtelet version in Paris and a major revival just a few years ago at the Goodman in Chicago. The Overture, "Glitter and Be Gay" and "Make Our Garden Grow" remain concert staples. There are eight commercially available recordings of the score, and four or five DVD versions. It may not be known by the young and naive, but for anyone who goes to theatre, opera or concert stages with any frequency, I don't know how anyone would not have experienced at least some of the show's music, whether knowingly or unknowingly.
Begin at the beginning and go on till you come to the end: then stop.
Thank you Smaxie. Of course it's not "obscure". Musicals that have been on Broadway, now three times, aren't obscure. Perhaps, you mean, "classic". That I would agree to.
ARTc3 formerly ARTc. Actually been a poster since 2004. My name isn't Art. Drop the "3" and say the signature and you'll understand.
I don't think "Glitter and Be Gay" is obscure, just very difficult. The last time I saw Barbara Cook she made it clear early in the evening that she would NOT be attempting "that song."
This may be blasphemy, but I once thought Candide would make a really interesting animated feature, with the sumptuous orchestrations of the '56 version, the book and song-stack of the '99 version, and the wacky off-kilter sensibility of the '74 version.
Yeah, Glitter and Be Gay is a hell of a difficult song to sing. Her rendition is pretty definitive, but I couldn't see someone singing that and then doing an hour long set. Particularly mixing genres as she does.
That said - I think we need to define what "obscure" means in this context. I don't think it's obscure the way Bat Boy is obscure, but it is one of those pieces that save for the concert that Cheno did has been largely forgotten.
It is obscure to the masses, in the same way that shows like Sunday and Grey Gardens are, but I would assume everyone attending a Chennoweth concert should be familiar with Glitter and be Gay.
GLITTER AND BE GAY is a very difficult song to sing even for a 25 year-old singer. It's not surprising that a 45 year-old singer might not feel she could do the song justice.
Regarding animation, I think that could be a way to really sell Voltaire's satire in a much more palatable way. As a culture, we accept animated characters rising up again and again after obviously being destroyed in freak accidents far easier than we accept the same with actual actors. Animation could create just that little bit of extra distance needed for a wider audience to really buy into the narrative.
As for obscurity, theater people know the show more than the general population. It's been produced more than most shows on Broadway and has the concert staging on DVD, but would most people recognize it in some way like Fiddler on the Roof or Peter Pan? I don't think so.
First of all, I wouldn't think Chenoweth's decision to include "Glitter and Be Gay" in concert has much to do with how well known Candide is, but rather whether the song works in the context of the program.
No Candide shouldn't now be considered an obscure musical. A historical perspective:
1956 flop
1956-1973 obscure musical
1969-1975 "Glitter and Be Gay" heard nightly by millions as theme song for the Dick Cavett Show
1973 renaissance - the Chelsea Theater revival
1973-present - a fairly well known musical, neither a household name nor a little known show: somewhere on the middle of the scale of musical celebrity, neither a Phantom of the Opera nor a Pirate Queen.
Candide, I would say, is more famous as a piece of music than as a show. It exists in the public/artistic consciousness, but mostly on the reputation of "Glitter and Be Gay" and "Candide's Overture." An opus, not a musical of note.
The word "obscure" could be somewhat applicable in the sense that the show never seems to be performed, nor recorded, the same way twice. EVERYONE seems to have his/her own version. Plant a radish, get a radish, but never with CANDIDE.