Well, he IS the main character. Perhaps it was a stipulation in bringing him over? I don't mind that. It's nice to see a name over a marquee that wasn't put there to reel in the bucks.
As for it, I think it's so bland. I also thought the same for the London artwork. I think both lack the sensuality inherit in the piece... though this more than the London version.
The colors ARE nice. It's too bad Rock of Ages got to use them first.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Could we cease the endless bashing of Alexander Hanson?
He may not be a name but he is a fine performer and I'm quite glad he is getting a chance to take his Frederick to Broadway. Fine actor and has a fine voice too (although he won't be showing up his high rock belt in this show!)
The billing for Alexander Hanson - in a smaller font than Catherine Zeta Jones or Angela Lansbury - is based on the role, not on name value. It's the same three roles billed together in the original Broadway advertising.
As for the artwork on the La Cage site - that production is more than six months away and the site being used is a placeholder for the eventual Broadway artwork and website. So, no need to beat it up just yet.
Begin at the beginning and go on till you come to the end: then stop.
Pretty but dull, though I like the rope-like font. I prefer the poster with the nightgown, but I don't like things hanging off crescent moons. I think having the dress hanging off a tree, as a nod to the original production art, would have been better.
Kad, I'm looking at the show's Facebook page, and there happens to be an ad for ROA. Snerk.
I'd love it if there were an NYT feature on the rejected artwork like there was for Ragtime.
I am still in awe with the original artwork with the bodies barely visible in the tree. I wish they would have come up with something as creative as that. Though at the same time, it's not very surprising. I still think this is some very un-creative casting.
"What a mystery this world. One day you love them and the next day you want to kill them a thousand times over." The Masked Bandit in THE FALL
I would have loved something with a more impressionist feel, sort of in the style of Monet or Renoir. Or this may be really out there, but Anders Zorn would have been the perfect inspiration. Swedish painter who celebrated sensuality (tons of female nudes). He traveled extensively in the US just before the turn of the century, which to me, perfectly ties together the elements of this musical. I mean, just LOOK at that!
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
"Could we cease the endless bashing of Alexander Hanson?
He may not be a name but he is a fine performer and I'm quite glad he is getting a chance to take his Frederick to Broadway. Fine actor and has a fine voice too (although he won't be showing up his high rock belt in this show!)"
Endless bashing? No one is bashing him and he is barely mentioned here. People were merely questioning the billing of his name above the title since many people here haven't heard of him before. I understand the reasoning behind it, but just saying...
"We like to snark around here. Sometimes we actually talk about theater...but we try not to let that get in our way." - dramamama611
You were expecting elegance and class from the folks who market Broadway these days?
"Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.”
~ Muhammad Ali
Anyone else think that the font used for the cast billing is eerily similar to that from Murder, She Wrote? Maybe that's the 70's feeling you're getting ?
It's just so friggin' cutesy. Is the merchandising going to be all lockets and charm bracelets? The website looks more appropriate for The Fantasticks.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
That poster with the nightgown (except that it doesn't look remotely like a nightgown from the period) is terrible and so not what this production is about.
For all those who are going to be disappointed that this isn't a traditional Broadway staging of ALNM, one thing that it does add is a refreshingly Scandinavian attitude towards sex.
Mister Matt understands the type of poster art this production needs.
No, the Roundabout was interested in doing an unrelated production with them this season. Obviously, that did not happen, so we are getting this instead.