Kerry most certainly would be able to go on. Why? Well back when she was second cover in My Fair Lady to Martine McCutcheon she had to go on for Alexandra Jay (first cover who ended up going on loads with little rehearsal and then got sick herself) at the last moment with little rehearsal. She excelled and has had a great rep ever since and cast again and again in lead roles.
I cant wait to see her as Elphaba. No disrespect to Idina but I was lucky to see the OBC pre Tony Awards and think there would still be a ton of excitement about this show without her. However her presence does ensure even more hype and media/review potential.
OK The person who said he knew wicked would not work in london,are you for real.
Wicked maybee an american show but so is 80percent of the musicals we have here,so that point is just stupid.
And as for the accent thing-The show is set in OZ not the States so i don't see why that matters really?
Wicked will run for years here,like the very british shows My Fair Lady,Les Mis and the upcoming Mary poppins will there.
Also on a final note! UK Audiences are not as stiff as you guys make out,Im in footloose at the moment in london and our audiences are up and dancing and screaming,The same happens at We Will Rock You and many others
I guess it depends what what the 'illness' was. If it was a head ache then that's not going to damage her vocal chords. Same with a stomach bug. But if it was a cold or anything like that then maybe.
Some of the former just might make it un-pleasent to perform.
Seeing it on Saturday...can't wait. I've bloody waited 2 years for this.
Must be hard for her because she's been thrusted into this new climate and new place, and now she has to pop out this high notes every night. It's hard work.
For those of you who went to the matinee - did you stage door afterwards? If so, did Idina, or any other cast members come out? I am seeing a matinee and I was a little concerned with if the actors would stage door after, or just hang out in the theatre.
As regards Saturday's problems - it was nothing to do with Ms Menzel's illness (one wouldn't think she was ill), there was simply a problem with the lift. They had had a problem with it during the dress reharsel done on Saturday morning. I know this because I asked a front of house staff member.
It was a great show! I adored the bit during One Fine Day...I won't revel what it was. For those of you who have seen it, know the bit I am talking about. It really makes this specific theatre unique, and - in turn - makes this section of the show unique.
Nick Hutson
Co-Presenter/Producer
MusicalTalk - The UK's Musical Theatre Podcast
http://www.musicaltalk.co.uk
I kind of wish whose of you who say Idina has "improved" would elaborate. Has her interpretation of the role changed and you like what she's doing better now? Or is she just more present onstage?
Considering there's no way I'm shelling out some of my non-existent cash to see Ms. Menzel again in London, I think I may need to live a little vicariously.
^hehe, as I believe I've said a lot before, I too am living vicariously through all these reviews :P
but, clearly, my MAIN hope is that... ahem... will surface very soon. :)
I don't need a life that's normal. That's way too far away. But something next to normal would be okay. Something next to normal is what I'd like to try. Close enough to normal to get by.
Just come back from the Monday evening performance. It was a two hundred and fifty mile round trip for us and it's 3.00am now so I won't be around long.
The show is a phenomenom. Idina is so good, I can't imagine who would do this role after her, and do it justice. She's a phenomenon!
I was happy with everyone with one exception, Nigel Planer as the Wizard, very weak. He's doing his best, but it just isn't enough.
I must mention the energy in the theatre, I certainly, have never experienced anything like it. The buzz in the auditorium is a thrill to say the least. My highest expectations were met and exceeded. Everyone was on their feet at the end cheering merrily away. Wonderful evening, truly a night to remember.
People were practically begging for tickets at the box office. Sold out tonight, and tomorrow.
Going again in October and December. My husband, is a Prince of Darkness when it comes to anything theatre related, gave this show a nine out of ten. My daughter and I gave it a high eleven.
Three cheers for Idina, Hip pip hooray.......................
The broomstick flying is how it appears in the Chicago production as well, since there isn't a trap door in the right place in the Ford Center.
Kevinoes: I can't remember the new scene word for word but here's the jist- The "wagon" carrying Fiyero arrives just as Elphaba runs out of the wings. They collide and Elphaba drops her books. Elphaba tells the driver (totally forgot the character's name, sry.) to watch where he's going. She then asks who the new student is and wants to tell him that he can't go around just knocking over people. The driver tells her that she is welcome to wake him (Fiyero). Elphaba shakes him awake, complains about being knocked over. Fiyero is slightly confused, but tells her "Maybe the driver saw green and thought it meant go." He laughs while Elphaba walks off stage.