Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
The house is way too big for an intimate show like this, but whatever...
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
This would really spice up this year in the New Musical realm.
"If this is going to be a Christian nation that doesn't help the poor, either we have to pretend that Jesus was just as selfish as we are, or we've got to acknowledge that He commanded us to love the poor and serve the needy without condition and then admit that we just don't want to do it." -Stephen Colbert
I originally saw the show on a whim. However, I loved every second of it. I do think that it might just work. I do feel that Scott has the ability to play to a bigger house. However, I think it might be a bit tough due to the fact that Kitt and Mayer have not only been involved with this show, they are also involved with American Idiot. I wonder if that might cause some problems with the overlap.
"If you try to shag my husband while I am still alive, I will shove the art of motorcycle maintenance up your rancid little Cu**. That's a good dear"
Tom Stoppard's Rock N Roll
LOVE this show! Would be trilled if this were true...
2008: Feb. 18- Rent, Feb. 19- Curtains, April 18- Xanadu, April 22- Wicked, April 26- Legally Blonde, May 31- Wicked, June 13- The Little Mermaid, June 28- Wicked and Young Frankenstein, July 2- The Little Mermaid, July 6- A Chorus Line and Legally Blonde, August 16- Xanadu, September 13- Legally Blonde and 13, September 28- Xanadu and Spring Awakening, Oct. 12-GYPSY and [title of show], Oct. 19- Hairspray & Legally Blonde, Nov. 9- Wicked and 13, Dec. 14-13, Dec. 26- Billy Elliot, 2009: Jan 1- Shrek, Jan 2- 13 and Wicked, Jan 4- 13, Feb 17- In The Heights, Feb 19- Billy Elliot, Feb 22- Sweeney Todd (tour), March 28- Mary Poppins, April 4- Mamma Mia!, April 15- Jersey Boys (on tour), April 25- next to normal & 9 to 5
May 1- Billy Elliot, May 3- Spelling Bee (tour), May 8- Chicago, May 21- Wicked, June 6- Everyday Rapture, June 23- The Wiz, June 25- Hair July 15- Shrek, August 9- Wicked, September 7- Rock of Ages, October 11- Next To Normal, October 23- The Marvelous Wonderettes, November 7- Ragtime November 29- Dreamgirls, December 25- Billy Elliot, December 30- Finian's Rainbow, 2010: January 9- Bye Bye Birdie, January 16- Memphis February 17- The Phantom of The Opera, February 18- God of Carnage, March 7- Billy Elliot, March 31- American Idiot
would it be able to open in time for Tony consideration??
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I wonder if the producers of American Idiot would be happy with Mayer and Kitt working on a competing musical at the same time (one that could take nominations or awards from Idiot). Though I think this could go in pretty quickly. And American Idiot seems pretty frozen at this point (allowing Mayer and Kitt to work on Rapture while Idiot is still in previews). Still, I think that this would be a great choice (and get Roundabout some Tony nominations).
I know nothing about the content of EVERYDAY RAPTURE except that it does not have original music...correct? So both EVERYDAY RAPTURE and AMERICAN IDIOT would not be competing in the Best Score categories...
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
There is one big thing between the scores of American Idiot and Tommy. And, that is that the score for Tommy was not 100 per cent music form the original 1969 album. Townshend wrote two songs just for the Broadway production.
American Idiot's score uses music that has been released before. Granted the score consist of songs from the album American Idiot, 21st Century Breakdown as well as some B-Sides. However, the entire score has been out and people have heard it before in some form or fashion.
I think that the reason why Tommy won for best score was on a technicality. Jukebox musicals or revue's cannot win best score. However, the score for Tommy was not entirely a jukebox score and that those two songs prevented it from being a full fledged jukebox musical. Whereas, American Idiot had no new songs just for the show itself.
"If you try to shag my husband while I am still alive, I will shove the art of motorcycle maintenance up your rancid little Cu**. That's a good dear"
Tom Stoppard's Rock N Roll
If this happens, Scott has the Tony in the bag IMO. Whether or not the show would be deemed strong enough in itself to win Best Musical is questionable but 90% of the reason this show works so well is Scott herself. She was first-rate at Second Stage and I'm sure will amp up the volume even more if the show transfers this season.
I absolutely loved CZJ in NIGHT MUSIC but I would vote for Scott in a heartbeat (based solely on her performance at 2ST).