I think the poster is an inaccurate representation of the show.
But is the logo appealing in that it will sell tickets to the masses?
Yes.
After they pay for their ticket and see the show and love it, will they tell people not to spend money and see it because the poster is an inaccurate representation of what they loved about the show?
I doubt it.
And I have talked to about a dozen other people today who saw the show and the poster and none of them liked it.
Are they now going to tell people not to spend money and see the show that they loved because they don't like the poster?
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
WannaBe, sometimes when I respond to your posts I feel like I am talking to a wall. Actually, you remind of a brick wall most of the time.
I said that I don't like the poster because it is an inaccurate representation of the show and it won't appeal to their target audiences, family.
Now, I did not post in this thread to argue with you although I know that you thrive on attacking other posters and arguing with them. I posted in hear to throw in my two cents. I don't go and argue with all of your "[tos] is the best thing I have ever seen and Hunter Bell is so adorable" posts. Do you have some kind of disease that requires you to argue and piss off at least two people a day?
Rentboy, they wouldn't use the La Jolla one. La Jolla usually uses a photograph for their logo and then the producers of the show will change it when it goes to Broadway.
And I still think the yellow is ugly. Updated On: 1/30/08 at 12:19 AM
Neddy, you edited your post to include the part about the target audience of families after I had already read your initial post and started my response.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Oh, I totally understand, I just thought it was very simple and yet effective. It seems like everything on Broadway has to overcommercialize itself to sustain a long run, but I really don't think that works.
Yeah, I agree too. I just think, an actual photograph might stand out admist all the other "cartoony-ish" logos. But I understand, they want what's best, and they want a successful show.
I like it for the simple reason that it is just as campy as the show. I also liked the La Jolla one but it reminded me of Depp on the cover of the dvd.
>Cry-Baby isn't a big scary intimidating guy, he is a nice and sweet one!<
Cry-Baby, the character, is seen as dangerous, an outsider, a threat to all decent citizens. The joke of the John Waters film is that to our eyes he's about as threatening as a Pat Boone record, but it reflects that certain mid '50s fear of anything outside the norm, as well as Waters' love for outcasts and deviants.
The poster for the Broadway musical, in my opinion, is brilliantly tongue-in-cheek. I don't think it makes Cry-Baby look big and scary, since the other people in the ad are looking at him with either extreme admiration or cartoon horror. The colors may not be colors that are in the show, but they instantly conjure up a a million pulp novel covers and b-movie logos. It is a great great piece of art and I think, tone-perfect for what I know about the show.
Begin at the beginning and go on till you come to the end: then stop.
Smaxie made a perfect point. And not everyone in the poster is afraid of him. The central figure in the poster, Allison, is smiling!
You're reminding me of people you hear at the movies asking questions every ten seconds, "Who is that? Why is that guy walking down the street? Who's that lady coming up to him? Uh-oh, why did that car go by? Why is it so dark in this theater?" - FindingNamo on strummergirl
"If artists were machines, then I'm just a different kind of machine...I'd probably be a toaster. Actually, I'd be a toaster oven because they're more versatile. And I like making grilled cheese" -Regina Spektor
"That's, like, twelve shows! ...Or seven." -Crazy SA Fangirl
"They say that just being relaxed is the most important thing [in acting]. I take that to another level, I think kinda like yawning and...like being partially asleep onstage is also good, but whatever." - Sherie Rene Scott
Regardless of color and how it is an inaccurate depiction of the show, I can't imagine any parent buying tickets for their family to go see a show that looks like...that.
If they are going to want to pack in the families they are going to need to come up with something more appealing than that. Sure it is a throw back to the 1950's but the average tourist isn't going to see that. Instead, they will see the fun looking Hairspray poster and go see that! Updated On: 1/30/08 at 07:13 PM
>I can't imagine any parent buying tickets for their family to go see a show that looks like...that.<
Core ticketbuyers are people in their 40s-60s. Those would be baby boomers and children of baby boomers. I dare say that they will know exactly what is being conjured up by that ad, since it is so reminiscent of movie posters and pulp novels of the 50s and 60s. I'm not sure what is causing you such alarm, neddy, since the image is the opposite of threatening... it's camp. And certainly, the families who have seen Hairspray, or Grease, or Legally Blonde by this point will be looking for the next big thing. I don't think this poster will scare them away if the show is indeed a hit.
Begin at the beginning and go on till you come to the end: then stop.
http://www.beintheheights.com/katnicole1 (Please click and help me win!)
I chose, and my world was shaken- So what? The choice may have been mistaken,
The choosing was not...
"Every day has the potential to be the greatest day of your life." - Lin-Manuel Miranda
"And when Idina Menzel is singing, I'm always slightly worried that her teeth are going to jump out of her mouth and chase me." - Schmerg_the_Impaler
I saw it in San Diego and loved it. I thought it was about 85% ready for Broadway and I anticipate the show will be a strong contender for Best Tony, best supporting nom for Chester Gregory, and shoo-in Tony's for set design and choreography.
"It does what a musical is supposed to do; it takes you to another world. And it gives you a little tune to carry in your head. Something to take you away from the dreary horrors of the real world. A little something for when you're feeling blue. You know?"
people keep talking about families not being drawn in by the advertisement
...honestly is this a family show to begin with? I know it's one of Waters' tamer works (this, Hairspray, Serial Mom and that wonderful family classic Pink Flamingos) but it was still a little edgy, has it been toned down for the stage?
You're reminding me of people you hear at the movies asking questions every ten seconds, "Who is that? Why is that guy walking down the street? Who's that lady coming up to him? Uh-oh, why did that car go by? Why is it so dark in this theater?" - FindingNamo on strummergirl
"If artists were machines, then I'm just a different kind of machine...I'd probably be a toaster. Actually, I'd be a toaster oven because they're more versatile. And I like making grilled cheese" -Regina Spektor
"That's, like, twelve shows! ...Or seven." -Crazy SA Fangirl
"They say that just being relaxed is the most important thing [in acting]. I take that to another level, I think kinda like yawning and...like being partially asleep onstage is also good, but whatever." - Sherie Rene Scott