just double-checked because i thought i was going mad, but george hearn, ron raines, and john mcmartin all sing "head against my head." and i do love the song, it took me about ten years to realize what they were singing and that moment just stands out for me now.
Newintown mentioned this lyric in another thread, but I'll repost this little gem from Sunset Boulevard:
Shut up, I'm rich! Not some platinum blonde bitch! / I own so many apartments, I've forgotten which is which!
"You drank a charm to kill John Proctor's wife! You drank a charm to kill Goody Proctor!" - Betty Parris to Abigail Williams in Arthur Miller's The Crucible
Pretty much the entire libretto of Love Never Dies is cringeworthy. I can't think of a single non-cringeworthy line from it (a reflection on the show as a whole, I think). It is the lowest of the low. How does Glenn Slater get work?
I also think Kunze's lyrics for his Europop musicals, which I don't care for, are awful. So bad that I imagine Christopher Hampton's job for Rebecca involves starting from scratch, because they surely can't expect to get away with just translating what the original German lyrics were -- they were atrocious.
^^^^^Agreed re LOVE NEVER DIES, but every reiteration of "Devil take the hind-most" is surely the worst. (And, yes, I knew the expression before I saw the show.)
***
The last line is "With her head against my hand". Personally, I love that song.
I do, too, but it's "head". Rhymes with "bed".
FINISHING THE HAT, p. 224.
In re the poster who brought it up, I have no idea what is "creepy" about resting in bed with your head against a lover's head. I mean one presumes the heads are still connected to their bodies; the heads aren't resting in a tray.
Not to beat the Love Never Dies horse to death, but the song that made me snort out loud in the movie theater was "Beneath a Moonless Sky." Specifically, describing a one night stand:
And I kissed you. And caressed you. And the world around us fell away, we said things in the dark, we never dared to say. And I caught you. And I kissed you. And I took you. And caressed you. With a need too urgent to deny. And nothing mattered then except for you and I. Again and then again, beneath a moonless sky.
Take anything from the song SUNSET BOULEVARD, but this is my favorite section:
L.A.'s changed a lot over the years Since those brave gold rush pioneers Came in their creaky covered wagons Far as they could go end of the line Their dreams were yours, their dreams were mine But in those dreams were hidden dragons
I know most from Turn Off The Dark are cringe worthy, but as a Spiderman fan, I just die a bit inside during Rise Above when Arachne says "And every heart that bleeds Will colour your world red And the sorrow in the night Will be the gloom you cannot shed
But your strength will be your vision Be your visibility And the gift of woe before you Will give you new eyes to see" Just so bad. They just tried too hard to give his costume symbolism.
Oh, and another one from Les Mis. I find most of the last half hour a bit cringey and preachy, but especially when Val-Jean says "To see another person is to see the face of god".
I find most of the last half hour a bit cringey and preachy, but especially when Val-Jean says "To see another person is to see the face of god".
Have to disagree on this one. The line is actually "to love another person is to see the face of God." It's a quote taken directly from the book and is, in a show about desperate people clinging to their humanity and their love for one another, beautiful and honest.
And I kissed you. And caressed you. And the world around us fell away, we said things in the dark, we never dared to say. And I caught you. And I kissed you. And I took you. And caressed you. With a need too urgent to deny. And nothing mattered then except for you and I. Again and then again, beneath a moonless sky.
Just when you thought the bad erotic paperback element, the implausibility of the storyline, the overuse of filler words like "and" and "then", and the repetition were bad enough, it gets worse: it's not even grammatically right! It should be "except for you and me", not "except for you and I"!
Just appalling on about every single level. Truly shocking.
"Always hoped that I'd be an apostle Knew that I would make it if I tried Then when we retire we can write the gospels So they'll still talk about us when we've died"
There is absolutely no way any director or any cast could make that stanza work. EVER. So weird.
Going old school here, but this verse from "You Took Advantage of Me" from PRESENT ARMS -- Lorenz Hart really liked to twist himself into a pretzel for rhymes:
"When a girl has the heart of a mother It must go to someone, of course; It can't be a sister or brother And so I loved my horse. But horses are frequently silly- Mine ran from the beach of Kailua And left me alone for a filly, So I-a picked you-a."
Slightly better, but not by much, is the other verse:
"In the spring when the feeling was chronic And my caution was leaving you flat, I should have made use of the tonic Before you gave me that! A mental deficient you'll grade me. I've given you plenty of data. You came, you saw and you slayed me, And that-a is that-a!"
This is one of my all-time favorite songs...if the verses are left out. But the verses just make me go, "WTF are these characters talking about?" And why would having the "heart of a mother" be a good thing in romantic love? Is she going to love her mate like a son? 'Cause that's kinda creepy, quite frankly.
EVITA is one of my all-time favorite musicals, but it has more than a few awful lyrics.
I can't imagine what possessed Tim Rice to think that the "B.A. Buenos Aires Big Apple" line was good enough to use once, let alone to repeat it six times. I can understand its presence on the concept album at least, because one could follow along with the lyrics while listening, but onstage it's pretty much incomprehensible. I know I had to look it up after the first time I heard it.
The one that bothers me most, though, is one of Peron's lines from "Rainbow Tour":
"I'm not underestimating you. Just do the same thing in Italy, please."
I guess there's nothing really WRONG with it, but I always expect the second line to be "Just do the same thing in Italy, too" so it would rhyme.
Just want to add how much I agree with Bwaykitty: the image of hidden dragons inside our dreams inside covered wagons has always made me picture a very special episode of RAWHIDE, starring St. George.
And there are plenty of competing bad lyrics in SUNSET BLVD.
"I like the ditch-plow line in Wild Party- it's a fairly obvious double entendre on Kate's sexual promiscuity, as it's implied that she "plows" several men, or is alleged to have in the past, over the course of the book and the show."
Okay, that is the furthest stretch of a defense I've ever read. And even if that was the case, how does that jibe with the first line of the stanza? Horrible, horrible.
So. Obviously no one has the cast CD to "Adams Family"...
"Oh, isn't this amazing? It's my fav'rite part because you'll see Here's where she meets Prince Charming But she won't discover that it's him 'til chapter three"
I always thought that Chapter Three was WAY too early for that particular sort of reveal. He just need an ee rhyme.
I know it's easy to pick on Carrie, but I just really have a problem with, "I prayed this day would never come/ I should have know/ I should have known/ Now I'm alone."
And, as much as I love Newsies and King of New York - "This is gonna make both the Delanceys pee in their pantsies."