bdn223 said: "Motown's numbers make you wonder if it will even last the 20 weeks considering critics are going to once again rip the production to shreds.
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It already "opened" no critics are going
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
AAIP has NOT recouped- in closing notice, producers claimed they would likely recoup before closing but that is clearly impossible. How they are financing both a tour and a London production is beyond me.
FiddleMeThis said: "AAIP has NOT recouped- in closing notice, producers claimed they would likely recoup before closing but that is clearly impossible. How they are financing both a tour and a London production is beyond me.
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Could they be hoping the tour will help them recoup?
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
Very impressed with THE COLOR PURPLE!!! Erivo's become the new Broadway star/
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
a-mad said: I'm still confused (and bummed out) that Matilda is closing while Kinky Boots is still open... I know that Matilda does much better business in summer and holidays, but the two are quite comparable in the off-season. Is Matilda that much more expensive to run? " I believe it's twice as expensive to run..
Do we still need to pit KB vs Matilda? Enough already...they've both had lovely runs.
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I don't think it's necessarily intentional... the two opened opposite each other amid huge critical acclaim and the tug-of-war for Tony success that resulted (and, to be honest, was accelerated by all of us) will result in the two of them being associated with each other for a long, long time. Yes, I agree that we can view them both as successful productions... but if you're a big fan of one over the other, there is nothing wrong with proclaiming your love for that production and desire for it to succeed. I certainly don't disparage those who feel that KB is the better musical... same way as I don't harbor ill will towards those that view Lion King as a better musical than Ragtime... (that one is a tougher pill to swallow...)
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It's intentional. Look, I have nothing but praise for someone to hope their favorite shows succeed. I personally have seen KB about 8-9 times but have seen Matilda more times than I can count ..and tickets to go again..including the final performance). I am sadder than anyone that Matilda is closing. Period. Being upset about another show's "success" is just sour grapes to me. JMHO.
I would have to agree that Ragtime deserved to win but I too do not harbor ill will towards those who view Lion King to be better. I wish I could say the same about the Matilda = Kinky Boots argument. I just don't see it.
Happy to see that so many shows had an increase this week - especially since last week was so dismal.
@z5 said: "time for Jersey Boys to announce closing on 1/1/2017."
I highly doubt it's going anywhere. Its operating costs are low for a musical (between $400,000-500,000/week according to producers in an LA Times article from June 2014), and it recouped over 10 years ago, so it's been running at or right around a profit almost every single week for a decade.
neonlightsxo said: "What is the weekly running cost for American in Paris, out of curiosity?
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Over what it is making right now. So I'd say 700,000
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
Weekly operating costs / nut are not set in stone, and are always in flux - depending on payroll, advertising, royalties, etc.. Its a number kept by the producer, and although numbers sometimes get published in the press - I find that those numbers are not always the truth.
That being said, I would not find it surprising that American in Paris has a range of 575 - 675,000 a week.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
nycgogetter posted in another thread that Frozen was taking the New Amsterdam because Disney always uses Nederlander theaters, so be careful who you listen to.
Regardless, there are certain people on this board who are actually in the business and in the know, which is why I asked.