hey blaxx.. does it have something to do with someone who was, in theory, present for most of the show but doesn't independently move until the last number?
or another part of the epilogue? you can PM as I didn't see the original production but could maybe figure out what you're talking about
I saw the original production, and I literally don't remember Father's reaction. They changed the rhythm of one of the line readings that Father has after that song, because in DC it was getting a lot of laughs, when it really shouldn't have been.
Hey Dottie!
Did your colleagues enjoy the cake even though your cat decided to sit on it? ~GuyfromGermany
hey blaxx.. does it have something to do with someone who was, in theory, present for most of the show but doesn't independently move until the last number?
I have NO idea what or who that statement is referring to.
The OBC mainly because as a 2 CD set has the entire score (and a lot of dialogue) and also the bonus track, a symphonic suite based on the score is truly wonderful. The opening and closing sequences are complete and includes all the spoken segments. On the Toronto cast recording its just the music.
The Toronto cast CD is a single disc of highlights and considering it was recorded 6 months BEFORE the show opened here in December 1996, it's very well done. It even includes a song that was cut before opening night ("The Show Biz" which was replace by opening with a song "I Have a Feeling" and it too was cut before Broadway.)
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
qolbinau, the 1996 recording is (I believe) a concept recording and is incomplete. I'd recommend the OBC since it is a 2-disc recording and the majority of the show is on it. The 1996 recording is mostly the same cast though if I remember correctly.
The major change in cast is Judy Kaye replaced Camille Saviola as Emma Goldman on Broadway.
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
Didn't they also change Booker T. Washingtons? I know that only affects the recording minimally, but I believe Tommy Hollis was not a part of the show in Toronto. Updated On: 10/25/09 at 12:46 AM
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
I saw the matinee on Saturday via the lotto. There were about 40 people at the lottery which is not bad. The seats are front row and amazing. There is an iron railing blocking the pit instead of a wall so you can see everything going on in the pit.
I was completely unfamiliar with the show before today and was absolutely blown away. I honestly can't say one bad thing about any aspect of the production. Noll definately stood out for me, although everyone was quite good. There will probably be a few Tony noms in this group.
I will say it again. I am basically in shock at the level of this production. I saw Finian's Rainbow tonight and, while I thought it was great, all I could think about was Ragtime. It was a let down of sorts although it is a very good production.
Didn't they also change Booker T. Washingtons? I know that only affects the recording minimally, but I believe Tommy Hollis was not a part of the show in Toronto.
Booker does not appear on the Toronto cast CD. His role being mostly dialog, and his one solo "Look What You've Done" is omitted from this disc. (The ensemble on this recording is not from the show. It is made up of ensemble members from 6 then-current Livent shows.)
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
I tried the lotto tonight, but lost. Does anyone else find it weird that whenever there is a group of people somehow they all end up winning? It seems like that always happens, but whatever, good for them. Allie Trimm was there with her mom, and they won. Which to me seems a little unfair, since we know she afford a real ticket, but whatever. I guess I'll try again later in the week. Who knew RAGTIME would be such a big deal? I like the flag they have flying over the marquee though.
And you can afford a ticket too, Rentboy. You are so annoying. I'm just being honest. In every thread, you like to post a hundred times asking which is better: TDF or rush/lotto. It's annoying that you are only here to see which tickets are better.
Even IF Allie Trimm could afford a full priced ticket, why is there any problem with her playing the lotto? It's open to everyone, regardless of their income bracket. And why wouldn't she want to buy a cheap ticket?
Alternatively, perhaps she and her Mom wanted to sit in the front row.
I went to the lottery yesterday afternoon. Although my name wasn't picked, it still was a lot of fun. The very pleasant, young woman who was running the lottery, pulled the names in front of everyone and was there the entire time as people were filling out the cards and dropping them in the bucket.
Rentboy, there were quite a few groups there yesterday participating, and not everyone in the group got in.
Hey Dottie!
Did your colleagues enjoy the cake even though your cat decided to sit on it? ~GuyfromGermany
There didn't appear to be anything to laugh at in the scene between Coalhouse and Father after "Make Them Hear You." I found myself quite moved at how the scene was played.
If anyone's interested, here are my thoughts on the first preview.
While yes some people can afford a full price ticket most do not want to spend that kind of money. And it's always fun to enter and lotto and sit front row or wherever you may sit. If I was rich I would certainly want to do it. Sure it would be nice if everyone paid full price and shows didn't have financial problems and close but that just won't happen.
Also you don't know that Allie can afford it. The money she is making from BBB I don't think she personally can touch till she is 18. And most likely her parents don't want that money going to full price Broadway tickets, they probably are saving up for college for her.
lvpblues, in DC right after Coalhouse sings Make Them Hear You, he asks Father, "Are they going to kill me?"
Ron Bohmer (Father) responded, "Of course not. These are decent men [pause], I wouldn't have come here if I didn't believe so."
The pause was just long enough for people to chuckle out of the irony, but the laughter was still a bit disconcerting. Now he just runs the lines together.
Hey Dottie!
Did your colleagues enjoy the cake even though your cat decided to sit on it? ~GuyfromGermany