Profile for HeyMrMusic

Kad said: "HeyMrMusic said: "I know 2021 was a weird year, but Myra Lucretia Taylor as Gran Georgeanna inTinais probably the fourth largest role of the featured women in that show yet she was the one nominated."

Considering the circumstances of that year, a lot of the nominees would have never been nominated otherwise. Only 4 musicals were even eligible."

Right, and I was commenting on the size of the role compared to t

bigbelterbaby said: "I’m confused about the Minstrel character in the show. It seems logical the show didn’t need a Minstrel, Wizard, and Jester, but the Minstrel character was in the last two Broadway productions but interestingly was cut from all filmed versions. Does the Minstrels role go to more material for the Wizard/Jester ?…"

At Encores, they folded the Minstrel into the role of the Jester. I did miss “The Minstrel, The Jester, and I&

Broadway Flash said: "Well I was talking to one of the great viola players of broadway the other day, and he said they want even strings now to play multiple instruments. "

It’s not atypical for musicians to double on violin and viola. In the past, bass and tuba used to be a pretty common double. Jason Robert Brown makes his string players double on percussion and celeste in The Last Five Years, and that was over 20 years ago. Doubling is not a new occ

Every regional awards handles its nominees differently, but from what I’ve personally observed, they do treat the selection process as educational experiences. I’ve heard similar things about the Jimmys. What we don’t see is the week leading up to the awards, the rehearsals and master classes and coaching sessions that everyone has the opportunity to participate in. While the awards themselves are hyped up in a way, I don’t think we’ve seen many cookie-cutte

I saw this tonight. I think this might have been my favorite Encores production. It fits the criteria of Encores shows of the past: revisiting a hard-to-produce musical or a flawed show with a fantastic score, and presenting it concert-style with the best singers and musicians in NYC. I honestly have nothing bad to say about the whole evening. The direction was some of the best I’ve seen at Encores; it felt like a staged concert without aspirations of a full production, u

lovett1979 said: "HeyMrMusic said: "The orchestra sounded wonderful, even when the poor violinists had to play at the extreme top of their range in Kate Baldwin’s very high key of“Losing My Mind.” It was a highlight to hear the original orchestrations live.

She actually performed a whole step LOWER than Barbara Cook did at the 1985 concert."

I may be misremembering, but I don’t recall the violins being transposed that

The orchestra sounded wonderful, even when the poor violinists had to play at the extreme top of their range in Kate Baldwin’s very high key of “Losing My Mind.” It was a highlight to hear the original orchestrations live.

Carnegie Hall’s acoustics aren’t made for anything requiring amplification, so it was hard to hear clearly in the balcony. Even the simple host banter or the announcements of who sang what was difficult to understand. If someone did

There’s no denying Jonathan Tunick is a master and one of the greatest orchestrators ever. Should he have multiple Tonys if the orchestration category was established before 1997? Yes. This award feels a bit like John Williams continually being nominated for rehashing his own themes for the latest sequel in one of the franchises he composes for. Obviously, the original work was great, and it’s still good, but it’s mainly just an updated draft with a few new things added. Thi