Profile for Timon3

theatregeeklife said: "Broadway In Hollywood (Pantages) Announced this morning. Mostly expected I would say except one surprise.

Hamilton Sept 4-Oct 13 (Add On)

Kimberly Akimdo Oct15-Nov 3rd

Back to The Future Nov 5th-Dec 1st

Wicked Dec 4th-Feb 2nd (Add On)

Harry Potter and The Cursed Child Feb 13-June 22nd

A Beautiful Noise July 8th-July 27th

Some Like It Hot July 29th-August 17th

Shucked Aug 19t

• Wicked (8/28 to 10/13) at the Orpheum
• Kimberly Akimbo (11/5 to 12/1) at the Curran
• Some Like It Hot (1/7/25 to 1/26/25) at the Orpheum
• Back to the Future (2/12/25 to 3/9/25) at the Orpheum
• Parade (5/13/25 to 6/8/25) at the Curran
• A Beautiful Noise (6/3/25 to 6/22/25) at the Golden Gate
• & Juliet (7/1/2

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tourboi said: "Timon3 said: "I thought the Curran Theatre went out as a independent company and left BroadwaySF?"

That was during the good days of BroadwaySF being run by the Nederlander amid a split between them and Carole Shorenstein Hayes, who owns the Curran.

When CURSED CHILD came to SF, CSH entered a management deal with ATG to oversee operations of the Curran. Now that ATG has bought the Orpheum and Golden Gate outright from the Nederla

It is a had life on the road, especially if you are constantly on the move.

Thinking Wicked, Phantom, Harry Potter, Aladdin or the Lion king could never become a non equity tour, as the show is too big for that. I mentioned up thread that A Chorus Line, Chicago, Come From Away are a gift for non equity tours as the set lends itself to be done on a small scale and maybe Book of Mormon, could also see the same gift for Avenue Q, Spring Awakening, Rent to Next to Normal, as these show

RippedMan said: "The set was two levels with staircases, etc. We played major theaters and a lot of smaller town theaters where the loading dock just couldn't accommodate some of the set pieces. So sometimes we wouldn't be able to use the top level. Or we had a few set pieces that rolled on from the wings, but if there was no wing space, we'd have to cut those and just use chairs. In one instance, the D version of the set, nothing could fit because it was an old movie hou

ACL2006 said: "I've seen numerous non-equity tours at the State Theater in NJ. The majority have been just as good as an equity production. The Memphis tour back ten years ago was the best non-equity tour I've ever seen. The recent Come From Away tour is nearly as good as the Bway production minus the turntable."

In fairness Come From Away like A Chorus Line and Chicago are a gift they have an awesome score and a brilliant book, which thankfully covers fo

A.J. said: "The Toronto 2024/2025 season will be announced on Feb 13th.
We’re still waiting for a number of tours from the past few years: Frozen, Beetlejuice, Funny Girl, Company, Moulin Rouge and more."

 

There is catching up to do on big Broadway shows, I could add several more to the list.

Toronto equally has a track record of looking to take big shows both from Broadway and West End. So wonder if they would be looking at National Th